Marsalis Music

Branford & Joey

Watch Branford and Joey talk about their album, Songs Of Mirth and Melancholy, on our “Videos” page.

Ellis Marsalis at the piano

Ellis Marsalis Center for Music

The Ellis Marsalis Center for Music is now open in New Orleans!

Branford Marsalis & Joey Calderazzo

Read Rafi Zabor’s liner notes from the duo release to learn more about the album

Nick DeRiso’s Best of 2014 (Blues, R&B + Jazz): D’Angelo, Paul Rodgers, Branford Marsalis

Publication: Something Else!
Author: Nick DeRiso
Date: December 21, 2014

There were surprises, and there were comebacks. There were consolidations, and amazing innovations. But what bound together these Best of 2014 selections was a streak of soulful emotion.

No. 3 — BRANFORD MARSALIS – IN MY SOLITUDE: LIVE AT GRACE CATHEDRAL (JAZZ): Never one to shy away from a big moment, Branford Marsalis brought his saxophones — and nothing else — to one of jazz’s most iconic settings. The results don’t supercede Duke Ellington’s initial 1960s-era Sacred Concert — held there, as well — so much as endeavor to expand the vocabulary of that stirring triumph. Ellington, back then, was focused on blending jazz, black gospel and classical into a kind of large-scale, yet intimate tapestry of emotion. Marsalis instead crafted more in miniature but at the same time, pushed in his own way to blur the lines between post-bop jazz and contemporary classical. In place of the sacred, he delved into modernity of free-form improv — and the results were stunning.

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Submitted by Courtney on January 20th, 2015 — 09:58am

Marsalis, Greene deliver albums of beauty, depth

Publication: Tribune-Review
Author: Bob Karlovits
Date: December 20, 2014

Everything about Branford Marsalis’ “In My Solitude” is excellent — or better. From the tone and improvisation of his play to high-quality recording that makes metallic clicking of his keys clear, the album is marvelous. It features a solo Marsalis offering music that is as new as four improvisations by him and as old as a sonata from C.P.E. Bach (1714-88). Of the four improvisations, No. 1 has the feeling of a piece from an etude book but with a modern flavor. He also offers a great bit of new playing on “Blues for One.” Read more »

Submitted by Courtney on December 22nd, 2014 — 03:26pm

Branford Marsalis: Recording, Live at Grace Cathedral

Publication: San Francisco Classical Voice
Author: Jeff Kaliss
Date: December 19, 2014

Atop San Francisco’s Nob Hill, Grace Cathedral has long welcomed pilgrims of fine music as well as worshipers from the Episcopal Diocese of California. From the recorded sound of it, the solo concert presented there by veteran reed player Branford Marsalis, in October of 2012 was a spiritually enhancing experience transcending orthodox musical sects.

Marsalis, eldest of the four musical brothers in that New Orleans dynasty, hosted a delightfully ecumenical program that took in the American songbook, a TV show theme song, rhythm and blues, the austere borderland of New Music and jazz, and a sonata by C.P.E. Bach, as well as his own through-composed pieces and four diverse improvisations.

Along the way, Marsalis showcased his soprano, alto, and tenor saxophones, but coaxed unfamiliar sounds from the instruments, in the process making consciously varied use of the echo qualities of the spacious structure, and spontaneous use of unanticipated phenomena.

On his “Improvisation No. 3,” for example, Marsalis mimicked the venue’s echo by repeating certain phrases of his invention. Midway through the session, a siren passing on California Street made itself audible, acknowledged with a honk from the tenor sax.

The high-wire thrill of performing solo without any other instrumental support was matched by manifestation of a unique sort of freedom. On Hoagy Carmichael’s “Stardust,” absent the time-keeping rhythm section with which his jazz fans are accustomed to hearing Marsalis, the saxophonist was free both to move through extended impressionist passages before stating the familiar melodic theme, and to elasticize the lines of that theme to his heart’s content.
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Submitted by Courtney on December 22nd, 2014 — 02:41pm