press

News posts that reference press.

Winter Jazzfest: A New-World Meshing of Pop and Folk

Publication: New York Times ArtsBeat
Author: Nate Chinen
Date: January 12, 2013

Day 2 of Winter Jazzfest began, for me, with Claudia Acuña at the Bitter End, reharmonizing “You Are My Sunshine” for a standing-room crowd. I feel as if I’m still digesting last night’s offerings, including a brilliantly indeterminate set by the bassist Eric Revis, the pianist Kris Davis and the drummer Andrew Cyrille; and a midnight set by Nasheet Waits’s Equality, featuring the pianist Vijay Iyer. I tumbled into bed this morning at 3:30, and spent most of the day looking forward to more of the same.

Ms. Acuña’s set, or what I heard of it, was propulsive and polished, a new-world amalgam of pop harmony and folk rhythm. The strongest creative force in the band was the guitarist Mike Moreno, who fashioned a spectacularly fluent solo over a Gary McFarland tune. But there was a general cohesion among the band that resonated clearly with the crowd.

Submitted by Courtney on January 14th, 2013 — 10:14am

iTunes Best of 2012

We are so pleased to announce that iTunes picked the Branford Marsalis Quartet’s Four MFs Playin’ Tunes as the Best Instrumental Jazz Album of 2012! Find Four MFs and other iTunes Best of 2012 picks here.

Submitted by Courtney on December 17th, 2012 — 03:21pm

Branford Marsalis: Confident MF Playin’ Tunes

Publication: All About Jazz
Author: R.J. DeLuke
Date: December 10, 2012

Musicians evolve, and so do bands, if they’re allowed to stay together long enough to develop their musical relationships—that certain chemistry. Such is the case with Branford Marsalis, the outstanding saxophonist who has been through so much in his storied career. It’s also the case with his band, which he has kept together, with few personnel changes, for more than a decade. They are a tight unit that continues to ripen. Read more »

Submitted by Courtney on December 10th, 2012 — 10:07am

Harry Connick Jr., Branford Marsalis lead tribute to the late Bob French

Publication: The Times-Picayune
Author: Keith Spera
Date: December 5, 2012

Among other, sometimes less flattering designations, Bob French was considered the unofficial mayor of the Musicians’ Village. In November, he also became the first of its residents to die.

On the evening of Tuesday, Dec. 4, Harry Connick Jr., Branford Marsalis and their manager, Ann Marie Wilkins, the trio who championed the construction of the Musicians’ Village after Hurricane Katrina, hosted a private memorial concert for French, the longtime leader and drummer of the Original Tuxedo Jazz Band and an especially colorful WWOZ-FM deejay.

Over the decades, French mentored scores of young musicians, including Connick and Marsalis. After their success and fame had far surpassed that of their mentor, they returned the favor. Read more »

Branford Marsalis Quartet: Four MFs Playin' Tunes (Marsalis Music)

Publication: Jazziz
Author: Josef Woodard
Date: November 29, 2012

Four MFs Playin’ Tunes sports a fitting package and moniker. Each member of the Branford Marsalis Quartet — tenor/soprano saxophonist Marsalis, pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner — is featured on a single panel of the insert, while the others appear in blurred focus behind him. And the players more than live up to the designation of mother****ers — a term of highest praise in this context.

Marsalis is a wise and humble leader, who willingly shares the spotlight. Read more »

Submitted by Courtney on December 5th, 2012 — 10:16am

Branford Marsalis engages in classical, jazz with the CSO

Publication: Cincinnati.com
Author: Janelle Gelfand
Date: December 1, 2012

The symphony went hip Friday night.

That’s not hard to do when you have one of the finest jazz musicians in the country performing with you.

Saxophonist Branford Marsalis, a three-time Grammy-winner, NEA Jazz Master, and former “Tonight Show” bandleader, was soloist in the American premiere of a concerto for alto saxophone with the Cincinnati Symphony Orchestra. But he took it a step further, sitting in with the orchestra to play the saxophone solos in Prokofiev’s “Lieutenant Kije” Suite, which opened the evening.

Even though Marsalis easily crossed over into classical, it was no surprise that he seemed to be having the most fun in his encore, Charlie Parker’s bebop “Au Privave,” with CSO musicians Matt Zory, Jr., on bass and Marc Wolfley on drums. Read more »

Submitted by Courtney on December 3rd, 2012 — 03:45pm

Classical Blast: Branford Marsalis flashes his Classical chops with the Cincinnati Symphony Orchestra this weekend

Publication: CityBeat
Author: Brian Baker
Date: November 28, 2012

The brothers Marsalis are an interesting study in dichotomy. Wynton, the younger, is an absolute giant in the Jazz community and he has no qualms about his genre elitism, vociferously and famously proclaiming the need to maintain Jazz’s purity and sanctity and rejecting anything outside of his definition (although he teamed up with Eric Clapton for an excellent Blues/Jazz hybrid concert at Lincoln Center last year and with Willie Nelson and Norah Jones for a Ray Charles tribute in 2009).

Branford, the elder, who has a doctorate in music, views music through a much broader lens, embracing Pop, Jazz, Classical and anything in the vicinity, which has led to a long association with Sting, a brief stint as Jay Leno’s bandleader on The Tonight Show and sessions and gigs with artists as varied as Miles Davis, Bela Fleck, Harry Connick Jr., Dave Matthews Band and the Dead.

When the question is posed as to the reason for the brothers’ stylistic divergence, Branford Marsalis has a ready, if not totally enlightening, answer.

Read more »

Submitted by Courtney on November 29th, 2012 — 12:03pm

Branford Marsalis shows classical side

Publication: Cincinnati Enquirer
Author: Janelle Gelfand
Date: November 25, 2012

Branford Marsalis may be best known as the former music director and bandleader for NBC’s “The Tonight Show with Jay Leno” in the 1990s. But his artistry runs much deeper.

He’s a member of a distinguished New Orleans jazz dynasty that began with his father, pianist Ellis Marsalis. Branford, a saxophonist and the oldest of his siblings – who include trumpeter Wynton, trombonist Delfeayo and drummer Jason – established his reputation while still a student at the Berklee College of Music, working with jazz luminaries Art Blakey, Lionel Hampton and Clark Terry.

Since then, he’s appeared with a who’s-who of jazz giants. He has also partnered with musicians as diverse as Sting, the Grateful Dead, and the hip-hop group Public Enemy. The Grammy Award-winner founded his own record label a decade ago, and records with his own Branford Marsalis Quartet.

The other side of this artist is that he is as comfortable discussing Shostakovich as he is Miles Davis.

Marsalis made his debut with the New York Philharmonic in 2010, the same year that his score for the 2010 Broadway revival of August Wilson’s “Fences” earned a Tony Award nomination for “Best Original Score Written for the Theater.” He has appeared as a soloist with orchestras around the world in music by composers such as Copland, Debussy and Darius Milhaud.

This year, Marsalis is a creative director for the Ascent Series for the Cincinnati Symphony Orchestra. Read more »

Branford Marsalis Quartet: Four MFs Playin' Tunes (Marsalis Music)

Publication: Pasatiempo
Author: Paul Weideman
Date: October 12, 2012

This album opens with pianist Joey Calderazzo’s “The Mighty Sword.” He and soprano saxophonist Branford Marsalis trade leads over a dynamite rumbling-strings, symbal-crashing foundation by bassist Eric Revis and new drummer Justin Faulkner - he joined three years ago, while Revis and Calderazzo go back with Marsalis to 1997’s Music Evolution. The leader said they could have done the Four MFs program in one day, as things used to be done at Blue Note Records, but those were often simple blues laid down like jam sessions. “The tunes on this record are very difficult, but we are tight enough to make them sound easy, ” Marsalis says on his website. “The difference is that we are a working band.”

Read more »

Submitted by Courtney on November 21st, 2012 — 11:07am

Branford Marsalis embraces his live shows

Publication: Des Moines Register
Author: Joe Lawler
Date: November 11, 2012 

“It was great to see your concert.” Branford Marsalis hears that kind of compliment regularly, and as a musician, it used to perplex him a bit — that people were there to see him, not to hear him.

But now he understands that people listen to records but want to see a performer live on stage, and he wishes more jazz musicians would take that to heart.

“People hear with their eyes,” Marsalis said during a phone interview. “You watch a lot of jazz musicians play now, and they don’t look like they’re into it. Someone will finish a solo and stare at their nails while another guy is soloing. I’m not talking about a dance show, but just sitting around doesn’t really suit what we’re trying to do.”

Marsalis said his quartet doesn’t plan out what it is going to do on stage. When pianist Joey Calderazzo stands up while performing, it’s because he’s feeling it in a song. When drummer Justin Fauklner gets his arms and legs moving like crazy, it’s to make sure the music is moving at the proper beat. But it’s a lot more entertaining to watch than four men calmly playing their instruments. Read more »

Submitted by Courtney on November 12th, 2012 — 12:50pm