press

News posts that reference press.

In Cape May, the show must go on

Publication: WHYY Newsworks
Author: Jen A. Miller
Date: November 7, 2012

In August 2005, Michael Kline and his son packed up their belongings and drove straight through the night from New Orleans to Cape May, N.J.

The morning after they arrived in N.J., Hurricane Katrina slammed into New Orleans. 

Maybe I’m bringing them with me,” he said after living through both Hurricanes Irene and Sandy in Cape May, where Kline had spent his childhood summers and lived full time from 1983 to 1992.

He also hopes he’ll bring some positive New Orleans history and flavor to the Jersey Shore with the first Exit Zero International Jazz Festival, which will take place in Cape May this weekend.

While the town was largely spared Sandy’s wrath, the musicians playing in the festival have not. Read more »

Submitted by Courtney on November 8th, 2012 — 12:03pm

Branford Marsalis returns to Holland

Publication: Omaha World-Herald
Author: Kevin Coffey
Date: November 8, 2012

The last time Branford Marsalis was in town, he stopped in to jam with some friends.

The time before that, the jazz master helped open the Holland Performing Arts Center.

On Friday, Marsalis and his quartet will come back to the venue to play music from his new album, “Four MF’s Playin’ Tunes,” as well as old favorites.

“We go all over the place. It depends on the audience, what they can listen to,” he told The World-Herald. Read more »

Submitted by Courtney on November 8th, 2012 — 12:28pm

Like It Is

Publication: JazzTimes
Author: Bill Milkowski

 To say that Branford Marsalis is forthcoming is an understatement. In an age when athletes, politicians and public figures have all been schooled in the art of saying nothing but innocuous platitudes intended to offend no one and reveal nothing, the three-time Grammy winner unapologetically speaks his mind. A veritable quote machine, he spews pointed statements like a verbal Gatling gun.

Being approachable, talkative and extremely opinionated makes Marsalis an ideal interview subject. Essentially, all you have to do is press the “record” button, toss in an occasional query, stand back and let him roll. And he never disappoints. Ask him anything and the ideas—grounded in logic, full of intelligence and wit and brimming with a daredevil disregard for the run-of-the-mill—come cascading off his tongue without hesitation, like his much-vaunted tenor and soprano sax playing.

On the day of this phone interview, the eldest of the five Marsalis brothers was at his home in Durham, N.C., preparing for a classical recital at the Beethoven Festival in Winona, Minn. His new quartet outing, the wryly titled Four MFs Playin’ Tunes (Marsalis), had just come out. Read more »

Submitted by Courtney on November 7th, 2012 — 12:33pm

A Few Words with Branford Marsalis

Publication: DANSR.com
Author: Sean Packard
Date: November 2, 2012

NEA Jazz Master and Grammy Award®-winning saxophonist Branford Marsalis has established himself as a world class artist – both jazz and classical, as a bandleader, composer, and as head of the Marsalis Music Record Label.  Marsalis leads one of the finest jazz quartets today, and performs frequently as a classical soloist with the Chicago Symphony Orchestra, the Boston Pops, and the New York Philharmonic.   Read more »

Submitted by Courtney on November 5th, 2012 — 01:40pm

JAZZ 2K: CD Picks of the Week

Publication: Nippertown!
Author: J Hunter
Date: October 19, 2012

BRANFORD MARSALIS QUARTET
Four MFs Playin’ Tunes
(Marsalis Music)

“Nothing to see here; everything’s under control.” That’s the underlying message of the title to the first Branford Marsalis Quartet disc without longtime drummer Jeff “Tain” Watts. That’s a big loss to the bottomless musical hive-mind that is the BMQ, but between their rip-snorting Proctors show in February and the cockeyed bop that drives MFs whirling opener “The Mighty Sword,” it sounds like 20-year old wunderkind Jason Faulkner has been assimilated just fine, thank you very much. He bubbles and bashes and bangs, while volcanic pianist Joey Calderazzo shows he’s light-years from the time when he was “that new guy” who replaced the late Kenny Kirkland. Read more »

Submitted by Courtney on October 25th, 2012 — 10:03am

Branford Marsalis Quartet: Four MFs Playin’ Tunes

Publication: The Abso!ute Sound
Author: Bill Milkowski
Date: October 1, 2012

This wryly-titled offering is the first to feature drummer Justin Faulkner, who replaced Jeff “Tain” Watts in the BMQ lineup in 2009 at age 18. This 180-gram double LP (also released on CD) is an immaculate-sounding collection that puts a premium on melody, though not at the expense of virtuosic soloing. Pianist Joey Calderazzo, a BMQ member since 1998, has matured into a first-rate composer and stellar improviser who relies less on his considerable chops than he did when he broke in with Michael Brecker’s group in the early 90s. His riff-oriented “The Mighty Sword” is as memorable as anything he’s ever written while his ethereal “As Summer Into Autumn Slips” beautifully showcases Marsalis’ unparalleled soprano playing. Read more »

Submitted by Courtney on October 4th, 2012 — 05:38pm

Four MFs Playin' Tunes: Branford Marsalis Quartet

Publication: Jazztimes
Author: Thomas Conrad
Date: October 4, 2012

Branford Marsalis is onto something here. In press notes, he explains, “We need to quit thinking of songs as vehicles and think of them as songs. … What we are trying to do is figure out the emotional purpose of each song … and then play according to that purpose.” Marsalis’ bands have always had chops to burn. Few ensembles have used songs as “vehicles” with more outrageous technical prowess. But often, in concert and on record, they paraded virtuosity at the expense of pacing. Art Blakey’s one-word description of jazz was “intensity.” Sometimes Marsalis believed it too much.

The new album is different because it contains more focused, unified development of specific song forms. There is still rarefied blowing by Marsalis on tenor and soprano saxophones and Joey Calderazzo on piano. But discipline creates a new musicality. Read more »

Submitted by Courtney on October 4th, 2012 — 10:58am

Branford Marsalis Quartet: 'Just' Playin' Jazz

Publication: Martinez News-Gazette
Author: Gordon R. Webb
Date: September 30, 2012

Fellow musicians, critics and the listening public alike must have thought jazz saxophonist Branford Marsalis had lost his mind back in 2009, when he hired 18-year-old Justin Faulkner to replace Jeff “Tain” Watts on drums. After all, Watts – regarded by many as the preeminent jazz drummer of his generation – had been in Marsalis’ quartet for nearly a quarter century and Faulkner was still in high school! But as we all know, there is a fine line between genius and insanity, and as it turns out, Marsalis’ decision was crazy-smart.

It was a sure thing!” says Marsalis. “I heard him play a slow blues and that was it … I knew it. He understood how to groove, and that the key to swinging isn’t in the beats you play, it’s the space in-between the beats … and he had a great left hand. The kid was raw, but the potential was there and I knew we could teach him everything else.”

After a two year jazz ed incubation period, Marsalis ushered Faulkner and longtime collaborators Joey Calderazzo (piano, since 1999) and Eric Revis (bass, since 1997) into a Durham, N.C., church last October, to record tracks for a new album. The results were released in August 2012 on CD and vinyl, entitled “Four MFs Playin’ Tunes (Marsalis Music).” But please don’t let the off-hand title fool you into thinking the new record is some half-hearted jam session, because this is serious, modern jazz, spiritedly performed at an extraordinarily high level. The title comes from there being no overall concept or theme involved in the making of “Four MFs Playin‘ Tunes.”

Our concept is just to play jazz,” says Marsalis in the overview promo video. “Learn 100 years of it … and play whatever.”

Every moment of “whatever” has a refreshingly loose, living-in-the-moment feel, but it’s a well-rehearsed spontaneity that comes from years of building trust on the bandstand. Read more »

Marsalis Wows in First of Candler Series

Publication: Emory Wheel
Author: Monica Yang
Date: September 24, 2012

On Friday evening at 8 p.m., I found myself sitting amongst a packed audience at Emory’s very own Donna and Marvin Schwartz Center for Performing Arts, eagerly waiting “An Evening with Branford Marsalis” to begin, the kick-off show for the 2012-2013 Flora Glenn Candler Concert Series.

The evening marked the first of eight shows this year. The Candler Concert Series are incredible opportunities to see world-famous performers showcase their talents right on our campus.

Branford Marsalis, the lead saxophonist, is not only a well-known musician, but he is also a Tony Award-nominated composer and a three-time Grammy Award winner. The famous jazz quartet included Branford Marsalis on saxophone, Joey Calderazzo on the piano, Eric Revis on bass and Justin Faulkner on the drums.

The quartet tuned their instruments, and Marsalis stepped up to the microphone to welcome the crowd. He threw out a few well-received jokes, setting a light-hearted mood in the theater. Afterwards, the jazz quartet began their performance with a riveting piece called “The Mighty Sword,” written by Marsalis.

Any lingering sereneness departed from the audience, as the unpredictable and wild nature that is jazz filled the room. Read more »

Submitted by Courtney on September 28th, 2012 — 10:10am

Branford Marsalis Quartet: Four MFs Playin' Tunes

Publication: Relix
Author: Jeff Tamarkin
Date: October/November issue

When preparing for their new album, the Branford Marsalis Quartet—with recently recruited drummer Justin Faulkner making his recorded debut with the band (the others are bassist Eric Revis and pianist Joey Calderazzo)—decided to focus not so much on the in-your-face virtuosity that’s always been incontestable, but on song structures. Some might argue that, for all of its dexterity, this band has always known its way around a lyrical melody, but rarely did one come away from a Branford Marsalis set humming. That’s doable here: Read more »

Submitted by Courtney on September 25th, 2012 — 11:32am