baroque

Going for Baroque: Branford Marsalis, chamber group in Seattle on Oct. 4

Publication: The Seattle Times
Author: Tom Keogh
Date: October 3, 2014

A concert of Baroque saxophone: What can that possibly sound like?
 
A Seattle audience is about to find out.
 
So is the saxophonist.
 
“We have not yet started rehearsals, so I can’t presume what we will sound like,” says Branford Marsalis, the Grammy Award-winning musician and composer.
 
The renowned and ubiquitous saxophone player, who has performed with everyone from Miles Davis to Public Enemy to the New York Philharmonic, is kicking off a 20-city tour with the Chamber Orchestra of Philadelphia at Seattle’s Meany Hall for the Performing Arts on Saturday (Oct. 4).
 
In an email interview days before Marsalis and the 50-year-old ensemble began rehearsing, the leader of the Branford Marsalis Quartet looked ahead to a Meany program of early music from across Europe. The bill includes works by J.S. Bach, Henry Purcell, Tomaso Albinoni, Louis-Antoine Dornel and others.
 
“All of the pieces are outside my comfort zone, and I relish the challenge,” Marsalis says. “That said, I’m really digging the French Baroque stuff.”

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Submitted by Courtney on October 7th, 2014 — 10:52am

Branford Marsalis and Joey Calderazzo, Songs of Mirth and Melancholy

Publication: East Bay Express
Author: Rachel Swan
Date: June 29, 2011

Apparently, the Marsalis-Calderazzo collaboration came about by happenstance — sort of. Calderazzo was already the pianist for Marsalis’ working quartet, and the two decided to perform as a duo at the 2009 Newport Jazz Festival. Sax and piano make an unorthodox combination for sure, but in this case the results were stunning. Marsalisnevermind his pedigree — is such a natural that he can swing without the “trappings” of a traditional rhythm section (to borrow a phrase from San Francisco vocalist Lorin Benedict, who eschews trappings of any sort). Moreover, he’s not strictly a jazz musician. Many of the songs on this mostly original album (save for covers of Brahms’ “Die Trauernde” and Wayne Shorter’s “Face on the Barroom Floor”) sound like baroque or classical music. Read more »

Submitted by Courtney on June 29th, 2011 — 11:23am