As featured soloist on Shorter’s twin specialisms of tenor and soprano saxophones, Marsalis never tried to emulate his hero, although Shorter’s liking for precise, gnomic phrases possibly influenced his thought processes occasionally. His playing was by turns direct and expansive and always brilliantly cogent and in the spirit of the composition, be it ever so slightly mysterious or downright amiable.
Author: Erika Goldring
Date: February 5, 2014
It was a daytime luncheon and concert, unusual for the Civic Theatre, but the crowds were just as enthused to be there. It was a benefit for the Ellis Marsalis Center for Music, located in the Musicians’ Village in the city’s Upper Ninth Ward. The Village was founded by native New Orleanians Harry Connick Jr. and Branford Marsalis, and constructed by Habitat for Humanity, as affordable housing for musicians and to create a sense of shared community.
So whom else would the Center ask, other than Connick and Marsalis, to help raise funds! The concert, on Tuesday (Feb. 4), not only featured performances from Connick — now on TV every Wednesday and Thursday nights for “American Idol” — as well as from Branford Marsalis (his father is Ellis Marsalis), Stephen Walker, Dewey Sampson, Andrew Baham and Ricky Sebastian and students from the Center, among others. Read more »