cincinnati symphony orchestra

A conversation with Branford Marsalis

Publication: Cincinnati.com
Author: Janelle Gelfand
Date: March 14, 2013

Yesterday, I sat down for a talk with saxophonist Branford Marsalis, who was backstage at Music Hall, getting ready to go to CCM to meet with students. He’s in a residency this week, and his activities include school visits and a performance in Friday’s “Classical Roots” concert in Music Hall. He was intellectual, thoughtful and pleasant as he talked.

Here are a few things that were on his mind:

Surprises about Cincinnati: Snow in mid-March was surprising and depressing.  I watch enough baseball to know that in April, they’re out there freezing to death. It was 60 degrees when I left N. Carolina.

I was surprised when I first got here about what a prominent role the arts play. In so many cities, the arts are things they are trying to expunge and slash. We live in an era where there is no differentiation between arts and entertainment. To actually see a city that is focusing on the arts and making it a major role in the development of their children, it’s amazing.

The former Tonight Show bandleader’s  return last month to the show:  It was a homecoming. It’s been four or five years. In TV, five seconds is long. For me, I don’t gain anything by going back. People who stay up and watch TV at 12:30 a.m. don’t run out the next day and buy a CD.  For me, it was a personal homecoming to see Jay and see friends, and I have a lot of friends. Read more »

Submitted by Courtney on March 18th, 2013 — 11:24am

Branford Marsalis joins CSO, community choir for Classical Roots

Publication: The Cincinnati Herald
Date: March 9, 2013

The Cincinnati Symphony Orchestra’s annual “Classical Roots” concert at Music Hall has garnered a reputation for the unique musical collaborations it generates. Each concert has featured stars of the opera, gospel and soul worlds, not to mention the 150-member Community Mass Choir that represents over 30 area churches. This year, the CSO adds another notable bond to the list in jazz legend Branford Marsalis. The threetime Grammy Award-winning saxophonist will be making a “cameo” appearance as soloist during the program at Music Hall Friday, March 15.

Exhibiting the diversity of the “Classical Roots” experience, Marsalis will be performing Jacques Ibert’s Concertino da camera for alto saxophone and orchestra, along with Billy Stayhorn’s “Take the ‘A’ Train.” As one of the most recognizable jazz standards, “Take the ‘A’ Train” became widely popular by Stayhorn’s long-time collaborator Duke Ellington. Read more »

Submitted by Courtney on March 8th, 2013 — 10:50am

Branford Marsalis engages in classical, jazz with the CSO

Publication: Cincinnati.com
Author: Janelle Gelfand
Date: December 1, 2012

The symphony went hip Friday night.

That’s not hard to do when you have one of the finest jazz musicians in the country performing with you.

Saxophonist Branford Marsalis, a three-time Grammy-winner, NEA Jazz Master, and former “Tonight Show” bandleader, was soloist in the American premiere of a concerto for alto saxophone with the Cincinnati Symphony Orchestra. But he took it a step further, sitting in with the orchestra to play the saxophone solos in Prokofiev’s “Lieutenant Kije” Suite, which opened the evening.

Even though Marsalis easily crossed over into classical, it was no surprise that he seemed to be having the most fun in his encore, Charlie Parker’s bebop “Au Privave,” with CSO musicians Matt Zory, Jr., on bass and Marc Wolfley on drums. Read more »

Submitted by Courtney on December 3rd, 2012 — 03:45pm

Classical Blast: Branford Marsalis flashes his Classical chops with the Cincinnati Symphony Orchestra this weekend

Publication: CityBeat
Author: Brian Baker
Date: November 28, 2012

The brothers Marsalis are an interesting study in dichotomy. Wynton, the younger, is an absolute giant in the Jazz community and he has no qualms about his genre elitism, vociferously and famously proclaiming the need to maintain Jazz’s purity and sanctity and rejecting anything outside of his definition (although he teamed up with Eric Clapton for an excellent Blues/Jazz hybrid concert at Lincoln Center last year and with Willie Nelson and Norah Jones for a Ray Charles tribute in 2009).

Branford, the elder, who has a doctorate in music, views music through a much broader lens, embracing Pop, Jazz, Classical and anything in the vicinity, which has led to a long association with Sting, a brief stint as Jay Leno’s bandleader on The Tonight Show and sessions and gigs with artists as varied as Miles Davis, Bela Fleck, Harry Connick Jr., Dave Matthews Band and the Dead.

When the question is posed as to the reason for the brothers’ stylistic divergence, Branford Marsalis has a ready, if not totally enlightening, answer.

Read more »

Submitted by Courtney on November 29th, 2012 — 12:03pm

Branford Marsalis shows classical side

Publication: Cincinnati Enquirer
Author: Janelle Gelfand
Date: November 25, 2012

Branford Marsalis may be best known as the former music director and bandleader for NBC’s “The Tonight Show with Jay Leno” in the 1990s. But his artistry runs much deeper.

He’s a member of a distinguished New Orleans jazz dynasty that began with his father, pianist Ellis Marsalis. Branford, a saxophonist and the oldest of his siblings – who include trumpeter Wynton, trombonist Delfeayo and drummer Jason – established his reputation while still a student at the Berklee College of Music, working with jazz luminaries Art Blakey, Lionel Hampton and Clark Terry.

Since then, he’s appeared with a who’s-who of jazz giants. He has also partnered with musicians as diverse as Sting, the Grateful Dead, and the hip-hop group Public Enemy. The Grammy Award-winner founded his own record label a decade ago, and records with his own Branford Marsalis Quartet.

The other side of this artist is that he is as comfortable discussing Shostakovich as he is Miles Davis.

Marsalis made his debut with the New York Philharmonic in 2010, the same year that his score for the 2010 Broadway revival of August Wilson’s “Fences” earned a Tony Award nomination for “Best Original Score Written for the Theater.” He has appeared as a soloist with orchestras around the world in music by composers such as Copland, Debussy and Darius Milhaud.

This year, Marsalis is a creative director for the Ascent Series for the Cincinnati Symphony Orchestra. Read more »