guillermo klein

Miguel Zenón – Alma Adentro (Marsalis Music 2011)

Publication: Latin Jazz Network
Author: Raul da Gama
Date: February 26, 2012

That Miguel Zenón has been recognized as one of the most exciting young alto saxophonists to break into the scene has been known for several years now. So it should come as no surprise when he released a third album, Alma Adentro: The Puerto Rican Songbook, in a loosely constructed trilogy that also included Jibaro (2004) and Esta Plena (2009). While these are all truly fine albums, this last one breaks the mould in both style and substance. First there is the sophisticated playing by the young saxophonist; something that is reflected in the gumption of his viscous ideas that devolve into fires that are fanned by both the jazz and Latin idioms. These cover everything from binary, to secondary and tertiary rhythms, fraught with electrifying, complex structures and there is the small matter of polyphony that turns simple melodies into something so exquisite and breathtaking that a shocking gasp seems to be a regular response solo after solo—from saxophone and piano.

Then there is the inspired arrangements of reeds that penetrate the near impervious fabric of the melodies like the tones of water colours spreading not only on the paper score, but on the entire musical canvas as well. The ingenuity of Guillermo Klein is the most important reason for this—if not the only reason for this. Yet this is not a matter of who came up with the idea of such an imaginative underscore, but how well the two men have articulated the invention. And this is why it is important to posit that both artists have played a role in the magnificent score no matter that Zenón is leading the charge. Read more »

Submitted by Courtney on February 27th, 2012 — 10:28am

Nate Chinen's Favorite Releases of 2011: Sounds That Come From in the Head and on the Street

Publication: New York Times
Author: Nate Chinen
Date: December 15, 2011

MIGUEL ZENÓN “Alma Adentro: The Puerto Rican Songbook” (Marsalis Music) The dragonfly speed and lightness of Mr. Zenón’s alto saxophone playing is reason enough to love this meditation on the music of his homeland. So too is his liberal approach to the repertory, mostly classic boleros and ballads, furnished with woodwind orchestrations by Guillermo Klein.

To read the rest of Chinen’s picks, please visit the original article. Read more »

Submitted by Courtney on December 16th, 2011 — 10:51am

Miguel Zenón: Jazz player on the rise

Publication: San Jose Mercury News
Author: Andrew Gilbert
Date: November 10, 2011

Miguel Zenón is a musician with a mission.

Over the past six years, the Puerto Rican alto saxophonist has waged a fierce, single-minded campaign to make the jazz world aware of the island’s musical riches. On two previous releases, 2005’s “Jibaro” and 2009’s “Esta Plena,” Zenón combined his rigorous, mathematically structured post-bop vocabulary with folkloric Afro-Puerto Rican styles.

In a shift toward soaring lyricism, his latest album, “Alma Adentro” (Marsalis Music), is a ravishing orchestral session interpreting standards by five beloved Puerto Rican songwriters: Bobby Capó, Tite Curet Alonso, Pedro Flores, Rafael Hernández and Sylvia Rexach. Read more »