harry connick jr.

New Orleans Jazz: Charles Betts on the addictive music of Harry Connick, Jr.

Publication: Felix Online
Author: Charles Betts
Date: February 28, 2011

New Orleans music is an addiction. Its diversity portrays every emotional state and as the legendary jazz musician Ellis Marsalis puts it, at a time when individualism is becoming an endangered species, the sounds of the Bayou represent a celebration of the individual. Put simply, without it life would be emptier.

Harry Connick Jr. is arguably the city’s most famous living export, having obtained more number-one albums than any other artist in US jazz chart history. He has taken his native music across the globe, to the delight of audiences that stamp and cheer to the joyful noise. He has re-created the next-best thing to Mardi Gras at venues including the Royal Albert Hall in London, the Salle Pleyel in Paris, and on Broadway in New York.
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The Marsalis Family: Music Redeems

Publication: JazzTimes
By: Michael J. West
Date: January/February 2011
 

Anyone who thinks the Misters Marsalis offer no surprises need only hear “Donna Lee,” the opening track on Music Redeems, a straight-ahead concert recording of a family tribute to pianist and patriarch Ellis Marsalis. The track features Ellis, trumpeter Wynton and the youngest scion, Jason, whistling on the theme and an improvised solo. The whistling itself is a great surprise, but even greater is that Jason outdoes Wynton in imagination and unpredictability. It’s an early high point among many on this excellent, if somewhat flawed, album.

Ellis is the star of Music Redeems, both as headliner and player. He has a light touch and equally light rhythm, filling a group arrangement of his original “Syndrome” with delicate dance figures, and a lyrical solo performance of “After” with the gait of a Broadway routine.

Submitted by Courtney on January 4th, 2011 — 01:26pm