Joey Calderazzo

Branford Marsalis and Joey Calderazzo: Songs of Mirth and Melancholy

Publication: The Boston Globe
Author: Bill Beuttler
Date: June 21, 2011

“Songs of Mirth and Melancholy,’’ the excellent new duo album from saxophonist Branford Marsalis and his longtime pianist Joey Calderazzo, leans more melancholic than mirthful. There is an emphasis on melody, too. A composer giant apiece from the jazz and classical genres is represented, via Wayne Shorter’s “Face on the Barroom Floor’’ and Brahms’s “Die Trauernde,’’ and the performers’ own compositions have a classical-sounding stateliness to them as well, and a relative scarcity of blue notes aside from Calderazzo’s jazzier “One Way’’ and the closing bars of Marsalis’s “Endymion.’’ Those two and Calderazzo’s “Bri’s Dance’’ are as up-tempo and mirthful as the album gets, with Marsalis’s pyrotechnics and tone on “Endymion’’ both calling to mind tenor colossus Sonny Rollins. For the most part, though, the musicians deemphasize playing lots of notes in their pursuit of meaningful melody and sweet melancholy. A couple of standouts in that vein are Marsalis’s “The Bard Lachrymose’’ and Calderazzo’s “La Valse Kendall,’’ both of which (like most of the album) Marsalis performs on soprano. (Out now) Read more »

Submitted by Courtney on June 23rd, 2011 — 04:02pm

Branford Marsalis and Joey Calderazzo: Songs of Mirth and Melancholy

Publication: PopMatters
Author: Will Layman
Date: June 14, 2011

Branford is the fun Marsalis, the Marsalis who played with Sting and the Grateful Dead, the funny Marsalis who fooled around with a movie career (Throw Momma From the Train) and who was the bandleader and sidekick when Jay Leno first took over the Tonight Show way back.

But that can be deceptive. Branford, in many ways, has been just as “serious” about music as his polemical brother Wynton. Particularly when it comes to playing passionately straight-ahead jazz, Branford has been more hard-nosed. His quartet has been a long-standing institution that rarely indulges in themed records or gimmicks. Mostly, Branford has insisted on charging post-bop and aching classic ballads, drawing on the tradition of Rollins, Coltrane and Byas. Branford’s quartet has been an ain’t-no-foolin’-around outfit.

Since the pianist Kenny Kirkland passed away in 1998, the piano chair in Branford’s quartet has been decisively owned by Joey Calderazzo. Read more »

Branford Marsalis/JoeyCalderazzo – Songs Of Mirth And Melancholy – Marsalis Music

Publication: Audiophile Audition
Author: Robbie Gerson
Date: June 13, 2011

  ****½:
(Branford Marsalis – saxophone; Joey Calderazzo – piano)

When Kenny Kirkland passed away in 1998, the future of The Branford Marsalis Quartet was in question. However, pianist Joey Calderazzo proved to be an ideal replacement. Marsalis (under his own label) had been performing and introducing new artists to an ever-expanding jazz milieu. Hailing from a legendary New Orleans musical family, he garnered acclaim as a member of Art Blakey’s Jazz Messengers and the Wynton Marsalis quintet. Subsequently, he formed his own group, but was in demand as a session player (Miles Davis, Dizzy Gillespie, Herbie Hancock, Sting and Miles Davis). Additionally, he performed as a soloist for assorted symphonies and orchestras. This duality of classical music and jazz has produced a unique pursuit of artistic expression. In the family tradition, Marsalis has been involved in numerous collegiate workshops and instruction.

When Marsalis and Calderozzo decided to record as a duet, they wanted have a departure from the typical jazz collaboration. Songs Of Mirth And Melancholy does exactly that. Read more »

CD reviews: 'Mirth and Melancholy' shows more about Marsalis' abilities

Publication: Pittsburgh Tribune
Date: June 5, 2011
Author: Bob Karlovits

Branford Marsalis is clearly the most engaging member of his musically wealthy family. Whether on his collection of classics “Romances for Saxophone,” as a guest with Sting or on this duet album, “Songs of Mirth and Melancholy,” Marsalis always is finding new truths about his instrument. This disc with pianist Joey Calderazzo is a collection of seven originals from one or the other, one piece by Wayne Shorter and one by Johannes Brahms. The are played in a virtuosic way with respect to the music and to each other. The album has variety that ranges from a uptempo “One Way” by Calderazzo to his classically flavored “Hope” and Marsalis’ “The Bard Lachrymose,” which has the same formal nature. This is one not to pass up. It is available Tuesday.

Submitted by Courtney on June 6th, 2011 — 01:36pm

Songs of Mirth and Melancholy Review

Publication: All Music
Date: June 5, 2011
Author: Thom Jurek

Given the history that saxophonist Branford Marsalis and pianist Joey Calderazzo have, the end results of Songs of Mirth and Melancholy should not be surprising, yet they are. Calderazzo replaced the late Kenny Kirkland in Marsalis’ band in 1998 and the rapport between them is seamlessly intuitive as revealed here. Cut in three days in Durham, North Carolina, the set contains compositions by both men, as well as a surprising pair of covers. As the title implies, this is a study in mood contrasts, and it begins on an up note with Calderazzo’s rollicking “One Way.” Read more »

Submitted by Courtney on June 6th, 2011 — 01:11pm

CD: Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy

Publication: The Arts Desk
Date: June 2, 2011
Author: Peter Quinn

It may have taken just three days to record, but this new duo recording from sax player Branford Marsalis and pianist Joey Calderazzo has 13 years of music-making behind it, dating back to when Calderazzo replaced the late, great Kenny Kirkland in the Branford Marsalis Quartet in 1998. We’ve come to expect a superabundance of imagination from both these players, but in Songs of Mirth and Melancholy Marsalis and Calderazzo seem to tap into even deeper levels of musical empathy and intuition. Read more »

Branford Marsalis / Joey Calderazzo: Songs of Mirth and Melancholy (2011)

Publication: All About Jazz
Date: May 30, 2011
Author: Mark F. Turner

The Swedish proverb “Shared joy is a double joy; shared sorrow is half a sorrow,” is one that perfectly exemplifies Songs of Mirth and Melancholy, from saxophonist Branford Marsalis and pianist Joey Calderazzo. Their bond has solidified over time, since Calderazzo took over the piano chair from the late Kenny Kirkland in Marsalis’ ensemble in 1998. While Kirkland’s talent can never be replaced, Calderazzo has proven his own deep abilities as a vital member of the band—and in his own recordings. Marsalis’ voice is commanding in any aspect, whether playing or speaking frankly about the music environment, and continues to resonate as a leader. Together, their rapport illuminates this recording.
Read more »

Submitted by Courtney on May 31st, 2011 — 12:31pm

Marsalis, Branford and Joey Calderazzo - Songs of Mirth and Melancholy

Publication: The Phantom Tollbooth
Author: Derek Walker
Date: May 26, 2011

Timeless, breezy jazz played with remarkable purity

When the Branford Marsalis Quartet released their last album Metamorphosis, Marsalis – being a democratic kind of bandleader – gave each of his colleagues some space for their compositions. These pieces were fairly varied, but it was the work of pianist Joey Calderazzo that particularly impressed me. His relaxed, lyrical style made listening a real pleasure and some tracks were the sort you could enjoy for hours. So it was exciting to see that he and Marsalis were to work together for this intimate collaboration, free of drums and any other outside interference. Read more »

Submitted by Courtney on May 26th, 2011 — 04:13pm

Branford Marsalis and Joey Calderazzo Duo / Songs of Mirth and Melancholy - World Premiere

Branford and JoeyTickets are now on sale for the WORLD PREMIERE of Branford Maralis & Joey Calderazzo’s duo project, Songs of Mirth and Melancholy, at the 2011 TD Toronto Jazz Festival. The performance takes place at The Royal Conservatory’s Koerner Hall in Toronto, Ontario on June 29. For more information and to purchase your tickets today, please visit the jazz festival’s website! We hope to see you there.

Born of an evolving love of music and set in the deep focus of serious listening and learning, Songs of Mirth and Melancholy, is full of virtuosity and joy, touching the listener with its expressiveness, melody, emotion; those elements of music that transcend genre and period and speak to us of inspiration and beauty. Comprised primarily of original compositions from each musician, a Wayne Shorter tune paying tribute to that great man and a nod to Brahms, the duo presented here provides the listener with a glimpse into their ever deepening musical journey.

The album is being released on June 7, 2011.
Read more »

Marsalis and Blanchard focus on the new, not the tried-and-true

Publication: TwinCities.com
Author: Dan Emerson
Date: February 27, 2011

Saxophonist Branford Marsalis and trumpeter Terence Blanchard, who led their respective bands Sunday night at Orchestra Hall, don’t seem old enough to have had a 40-year musical relationship.

But that is the case, Marsalis, 50, told the audience. They met as grade-schoolers at a summer jazz camp in their native New Orleans in 1970, and have been collaborators, off-and-on, ever since.

Sunday’s concert featured mostly new compositions by the two bandleaders and their colleagues — a refreshing change, since most Orchestra Hall jazz shows feature tried-and-true standards.

Marsalis opened the show with his quartet, which features two longtime bandmates: pianist Joey Calderazzo and upright bassist Eric Revis. The group’s newest member is young drummer Justin Faulkner. Read more »

Submitted by Courtney on February 28th, 2011 — 04:24pm