newport jazz festival

Branford Marsalis and Joey Calderazzo, Songs of Mirth and Melancholy

Publication: East Bay Express
Author: Rachel Swan
Date: June 29, 2011

Apparently, the Marsalis-Calderazzo collaboration came about by happenstance — sort of. Calderazzo was already the pianist for Marsalis’ working quartet, and the two decided to perform as a duo at the 2009 Newport Jazz Festival. Sax and piano make an unorthodox combination for sure, but in this case the results were stunning. Marsalisnevermind his pedigree — is such a natural that he can swing without the “trappings” of a traditional rhythm section (to borrow a phrase from San Francisco vocalist Lorin Benedict, who eschews trappings of any sort). Moreover, he’s not strictly a jazz musician. Many of the songs on this mostly original album (save for covers of Brahms’ “Die Trauernde” and Wayne Shorter’s “Face on the Barroom Floor”) sound like baroque or classical music. Read more »

Submitted by Courtney on June 29th, 2011 — 10:23am

CD Choice: Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy (Marsalis Music)

Publication: Church of England Newspaper
Author: Derek Walker
Date: June 24, 2011

Metamorphosis, the latest release by Branford Marsalis’s quartet, featured tunes written by each of the players, and for me the best were penned by pianist Joey Calderazzo. They brought a breezy, timeless approach to jazz that made listening a pleasure.

This set, made only with bandleader and saxophonist Marsalis, is free of the tight constraints of the rhythm section, and so exudes a fluid ease that suits these largely lyrical pieces.

While the two were already a well-lubricated engine, a short set at the Newport Jazz Festival inspired them to spend a few days capturing this dynamic in the studio.
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CD: Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy

Publication: The Arts Desk
Date: June 2, 2011
Author: Peter Quinn

It may have taken just three days to record, but this new duo recording from sax player Branford Marsalis and pianist Joey Calderazzo has 13 years of music-making behind it, dating back to when Calderazzo replaced the late, great Kenny Kirkland in the Branford Marsalis Quartet in 1998. We’ve come to expect a superabundance of imagination from both these players, but in Songs of Mirth and Melancholy Marsalis and Calderazzo seem to tap into even deeper levels of musical empathy and intuition. Read more »