Branford Marsalis News

Branford Marsalis’ first Hong Kong gig – it’s going to be a classic

Publication: SouthChinaMorningPost.com
Author: Robin Lynam
Date: April 16, 2016

Playing French and Russian classical music with a chamber music ensemble is probably not the way most of us would have expected saxophonist Branford Marsalis to make his Hong Kong debut.

A member of New Orleans’ first family of jazz – son to pianist Ellis and elder brother to trumpeter Wynton, drummer Jason, and trombonist Delfeayo – the 55-year-old is also best known as one of the finest jazz reed players of his generation, adept on alto, tenor, soprano and baritone saxophones.

He leads a highly successful jazz quartet, and also performs in a duet setting with notable pianists including Ellis Marsalis, Joey Calderazzo and Harry Connick Jnr. Over the last couple of years he has also undertaken a number of engagements performing entirely unaccompanied.

Seen by millions around the world in 1985 playing with Sting and Phil Collins at Live Aid, Marsalis is also a familiar face and sound to late night television audiences from his stint in the early 1990s as bandleader for The Tonight Show with Jay Leno.

Still, he is no stranger to the classical music world. Marsalis made his debut in 2010 with the New York Philharmonic, playing Alexander Glazunov’s Concerto for Alto Saxophone. This is one of the two pieces that he will perform with the City Chamber Orchestra of Hong Kong at City Hall on April 27.

The musician says that, and Darius Milhaud’s Scaramouche suite, which he has recorded, were the orchestra’s choices for the programme.

“I tend to leave those decisions to the orchestras, because they know their markets,” he says over the phone from his home in Durham, North Carolina.

“All markets are different culturally, and they have a sense of what the audience will appreciate.

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Submitted by Courtney on April 18th, 2016 — 09:51am

Branford Marsalis Remembers Ornette Coleman

Publication: JazzTimes
Author: Branford Marsalis
Date: March 2016 issue

I was 22 years old, maybe 23, when Stanley Crouch brought around a copy of Ornette’s record The Shape of Jazz to Come to Wynton’s house. He put it on, and I went, “Aw, man, turn that shit off. My ears are bleeding.” I hated it. He said, “You just can’t hear it yet. Just hold on to that record a while. I think there’s some shit in there that you could use.” I’m like, “Yeah, OK.” I listened every day, trying to figure out what was good about it. About four months in, I suddenly started hearing the music the way Ornette heard it—and then it was like my brain exploded. Read more »

Submitted by Courtney on February 26th, 2016 — 03:56pm

Branford Marsalis aims to make music with meaning

Publication: The Georgia Straight
Author: Alexander Varty
Date: February 3, 2016

“Busy” doesn’t begin to describe Branford Marsalis’s hectic life. When the Georgia Straight reaches the versatile saxophonist at home in Raleigh, North Carolina, he’s just returned from a European tour, and he’s already packing his bags for the West Coast jaunt that will bring him to Vancouver next week. Sensibly, he’s timed his visit home to coincide with his wife’s birthday, but when we speak he’s also making a pit stop at his haberdasher’s and studying a “ridiculously difficult” orchestral score by composer Gabriel Prokofiev, which he’ll premiere with Florida’s Naples Philharmonic this March.

“Yeah, I’m multitasking,” Marsalis says with a laugh.

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Submitted by Courtney on February 18th, 2016 — 11:46am
Related Releases:

Music legends, past and present, take center stage this week

Publication: Louisiana Weekly
Author: Geraldine Wyckoff
Date: December 7, 2015

Branford Marsalis Quartet + Kurt Elling – Four Big Nights

It is difficult to believe that the last time saxophonist Branford Marsalis headlined at Snug Harbor, New Orleans most prestigious modern jazz mecca, was circa 1984. At that time, Marsalis, who appears at the club for a unprecedented four-night stand (December 10 through December 13), co-led a group that was put together by the late Earl Turbinton and included the legendary “Big” Nick Nicholas. Dubbed “Three Generations of Jazz Saxophone,” Turbinton’s aim, it is said, was to illustrate how influences shape the jazz world. Nicholas’ blowing (he’s the guy taking the sax solo on Dizzy Gillespie’s “Manteca”) affected Turbinton and thus the heritage was passed on to Marsalis.

Of course, Marsalis, a New Orleans native now residing in North Carolina, has stood on stage at the Frenchmen Street club since then but only to sit in most often with his father, pianist Ellis Marsalis. For these dates, the three-time, Grammy-winning saxophonist is bringing in his entire, highly-regarded Branford Marsalis Quartet with longtime pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner. The world-renowned vocalist Kurt Elling will join the group as a special guest. Elling, a Chicago native who also claims multiple awards, is truly a dynamic jazz singer and noted for his unique vocalese and scatting. The musicians are all coming to New Orleans to record an album.

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Submitted by Courtney on December 8th, 2015 — 05:50pm

Reviews: Jazz discs from Branford Marsalis Quartet, Charlie Hunter Trio

Publication: Buffalo.com
Author: Jeff Simon
Date: June 7, 2015

Branford Marsalis Quartet, “A Love Supreme: Live in Amsterdam” (Okeh/Marsalis Music, disc plus DVD). A celebration of jazz history that is, itself, a remarkable bit of jazz history. John Coltrane’s classic record “A Love Supreme” was issued in February 1965. In the 50 years since its birth, few, if any, have been the musicians to treat Coltrane’s record as anything other than a great jazz monument – never to be touched and always to be revered. Here is that amazing rarity in celebration of “A Love Supreme’s” 50th anniversary year – a spectacular current jazz saxophonist putting his phenomenal quartet to work on Coltrane’s composition. Marsalis, then, is using all of Coltrane’s themes, tempos and rhythms but his incredible quartet is doing it all in their own way, from note to note. This, then, is one of the more phenomenal things that ever happens in jazz: one master player performing the most passionate tribute he can to a greater one by using every bit of his own majestic talent. 

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Submitted by Courtney on June 8th, 2015 — 12:19pm