Branford Marsalis News

Twin Cities Jazz Festival is larger than ever, with big names, more stages

Publication: Pioneer Press
Author: Dan Emerson
Date: June 26, 2014

Saxophonist Branford Marsalis and his quartet recently released an album of new material. So, will Marsalis and his mates be playing music from “4 MFs Playin’ Tunes” when they perform Friday evening in Mears Park at the 16th annual Twin Cities Jazz Festival?

That will depend on how we feel,” said Marsalis, who places a high value on the importance of “being in the moment,” and the spontaneous, on-the-fly creativity that is the essence of jazz.

If the three-time Grammy winner plays tunes from the new album at his festival appearance, they may sound somewhat different from the way they were recorded in the studio. Musicians like Marsalis and his mates don’t consider compositions to be static creations — they should evolve and improve over time as they are played live.

Marsalis leads a quartet that has stayed together longer than many modern jazz groups, with pianist Joey Calderazzo, bassist Eric Revis and the youngest member, drummer Justin Faulkner. There’s a widely accepted idea in the jazz world that the longer a band stays together the more it develops the ability to collectively and spontaneously create good music,onstage.

But familiarity alone “doesn’t do it,” said Marsalis, who divides his time between the jazz and classical music worlds. A willingness to risk failure is important. 

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Submitted by Courtney on June 27th, 2014 — 09:12am

I Know Why the Caged Bird Sings

Inspiration Maya Angelou recorded her reading of her classic poem “I Know Why the Caged Bird Sings” with Branford Marsalis and Buckshot LeFonque in this musical tribute to her talent and the important themes she was able to express so brilliantly.  She will be missed.

Submitted by Ben on May 28th, 2014 — 12:45pm

Melodic Study, Deep Listening and the Importance of Context (Downbeat Master Class by Branford Marsalis)

BM Downbeat Master Class

Submitted by Ben on May 15th, 2014 — 12:26pm

Review: Branford Marsalis Quartet at the Lobero Theatre

Publication: Santa Barbara Independent
Author: Charles Donelan
Date: May 8, 2014

“It’s going to get kind of funky tonight,” said Branford Marsalis upon taking the Lobero stage, adding, “and it’s going to be fun.” The artist and his current quartet delivered on both counts, as the group’s 100 minute set flew by, with each extended composition revealing another aspect of this consummate musician’s mastery. The opener, “The Mighty Sword” featured Marsalis on soprano sax, an instrument he wields with a combination of sophistication and power comparable to that of the late John Coltrane, an acknowledged inspiration for much of what this quartet does. Pianist Joey Calderazzo added plenty of funk to this otherwise straight-ahead post-bop blast off.

Three quarters of this extraordinarily cohesive band has been together for decades. The one relative newcomer, drummer Justin Faulkner, is an amazing find, and his playing throughout the night was a revelation. 

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Submitted by Courtney on May 9th, 2014 — 01:21pm

Review: Branford Marsalis Quartet delivers knockout punch

Publication: San Jose Mercury News
Author: Richard Scheinin
Date: April 27, 2014

SANTA CRUZ — As the Branford Marsalis Quartet opened its late show Monday at the Kuumbwa Jazz Center, drummer Justin Faulkner jabbed like a boxer. Hook. Uppercut. Jab, jab, jab. The band’s music was raw and rumbling, almost violent — but played with such scarifying control as to convey a sense of elegance, too. It was Muhammad Ali music: float, sting, deliver the knockout punch.

Composed by Joey Calderazzo, the group’s pianist, the tune was titled “The Mighty Sword,” which tells you all you have to know.

For the next 90 minutes — it was the second of two sold-out shows, preceding a two-night run in San Francisco — saxophonist Marsalis and his group engaged a strategy of virtuosity and cockiness, clarity and clout. It covered a lot of territory — bebop and 1970s Keith Jarrett rubato, as well as a tune associated with Louis Armstrong — but it kept coming back to the power-punch and to its own brand of blowtorch Coltrane intensity. Read more »

Submitted by Courtney on April 30th, 2014 — 11:13am