Publication: Houston Press
Author: Olivia Flores Alvarez
Date: March 22, 2012
Think you know saxophonist Branford Marsalis? Think again. His latest CD, Songs of Mirth and Melancholy, on which he’s joined by pianist Joey Calderazzo, is a departure from his previous material, a drastic departure based less on virtuosity and more on melodic style. Bottom line, it’s less note-y. And it’s that music that will be the basis for today’s concert, Branford Marsalis and Joey Calderazzo: Songs of Mirth and Melancholy.
Marsalis and Calderazzo have been performing together for several years in the Marsalis Quartet, but when the duo performed at the 2009 Newport Jazz Festival things really clicked and the two decided to record together. The result was Songs of Mirth and Melancholy, a collection of originals from the two performers, with the exception of Wayne Shorter’s “Face on the Barroom Floor” and Brahms’s Die Trauernde.
“I have only played duo with Harry [Connick, Jr.], my dad [Ellis Marsalis] and Joey. And with Joey, I can go in different directions,” says Marsalis via press materials. In liner notes for Mirth and Melancholy, he praises Calderazzo’s talent and versatility. “There are so few people who can actually create melody – which is why there’s an over-reliance on pattern, because it’s attainable and melody is elusive: either you’ve got it or you don’t. Joey’s always had it, and the technical side as well.” Read more »