Joey Calderazzo News

Publication: JazzTimes
Author: Jeff Tamarkin
Date: June 7, 2011

Sometimes an album’s title tells you everything you need to know. Songs of Mirth and Melancholy is truth in advertising, a concise, pinpoint description of what this recording offers. But the title alone doesn’t go far enough in conveying the level of elegance and intimacy resident within this collaboration between saxophonist Branford Marsalis and the pianist in his regular quartet, Joey Calderazzo. Since his induction into the band in 1998, when he replaced the late Kenny Kirkland, Calderazzo has consistently developed, his acumen as a player and the maturity of his songwriting adding significantly to the quartet’s breadth. Calderazzo has also released several albums as a leader that reaffirm his ingenuity. Read more »

Publication: Pittsburgh Tribune
Date: June 5, 2011
Author: Bob Karlovits

Branford Marsalis is clearly the most engaging member of his musically wealthy family. Whether on his collection of classics “Romances for Saxophone,” as a guest with Sting or on this duet album, “Songs of Mirth and Melancholy,” Marsalis always is finding new truths about his instrument. This disc with pianist Joey Calderazzo is a collection of seven originals from one or the other, one piece by Wayne Shorter and one by Johannes Brahms. The are played in a virtuosic way with respect to the music and to each other. The album has variety that ranges from a uptempo “One Way” by Calderazzo to his classically flavored “Hope” and Marsalis’ “The Bard Lachrymose,” which has the same formal nature. This is one not to pass up. It is available Tuesday.

Publication: All Music
Date: June 5, 2011
Author: Thom Jurek

Given the history that saxophonist Branford Marsalis and pianist Joey Calderazzo have, the end results of Songs of Mirth and Melancholy should not be surprising, yet they are. Calderazzo replaced the late Kenny Kirkland in Marsalis’ band in 1998 and the rapport between them is seamlessly intuitive as revealed here. Cut in three days in Durham, North Carolina, the set contains compositions by both men, as well as a surprising pair of covers. As the title implies, this is a study in mood contrasts, and it begins on an up note with Calderazzo’s rollicking “One Way.” Read more »