Joey Calderazzo News

‘Mirth and Melancholy’ from Branford Marsalis

Publication: IndyStar.com
Author: Jay Harvey
Date: June 20, 2011

You can’t find any more thoughtful jazz musician than Branford Marsalis. He’s also a master of tone and nuance whenever he picks up the soprano or tenor saxophone. With  Joey Calderazzo, his longtime collaborator on piano (a relationship as fruitful as Marsalis had with cut-off-in-his-prime Kenny Kirkland), he has released “Songs of Mirth and Melancholy” (Marsalis Music).
There are portions of this exploration of deep melody between the two players that stray  into a kind of highbrow easy listening. But mostly the music rewards sustained attention, in a hopefully alpha-wave mode — hard to get into, but an inevitable drag to leave.

  

Submitted by Courtney on June 23rd, 2011 — 03:23pm

Branford Marsalis and Joey Calderazzo: Songs of Mirth and Melancholy

Publication: The Boston Globe
Author: Bill Beuttler
Date: June 21, 2011

“Songs of Mirth and Melancholy,’’ the excellent new duo album from saxophonist Branford Marsalis and his longtime pianist Joey Calderazzo, leans more melancholic than mirthful. There is an emphasis on melody, too. A composer giant apiece from the jazz and classical genres is represented, via Wayne Shorter’s “Face on the Barroom Floor’’ and Brahms’s “Die Trauernde,’’ and the performers’ own compositions have a classical-sounding stateliness to them as well, and a relative scarcity of blue notes aside from Calderazzo’s jazzier “One Way’’ and the closing bars of Marsalis’s “Endymion.’’ Those two and Calderazzo’s “Bri’s Dance’’ are as up-tempo and mirthful as the album gets, with Marsalis’s pyrotechnics and tone on “Endymion’’ both calling to mind tenor colossus Sonny Rollins. For the most part, though, the musicians deemphasize playing lots of notes in their pursuit of meaningful melody and sweet melancholy. A couple of standouts in that vein are Marsalis’s “The Bard Lachrymose’’ and Calderazzo’s “La Valse Kendall,’’ both of which (like most of the album) Marsalis performs on soprano. (Out now) Read more »

Submitted by Courtney on June 23rd, 2011 — 03:02pm

Longtime collaborators Branford Marsalis and Joey Calderazzo shine on new duet disc

Publication: Detroit Free Press
Author: Mark Stryker
Date: June 19, 2011

There’s a lot to admire about “Songs of Mirth and Melancholy” ( * * * out of four stars, Marsalis Music), the rewarding new duet album by saxophonist Branford Marsalis and pianist Joey Calderazzo. Calderazzo has been a mainstay of Marsalis’ quartet since 1998, and the rapport the two have built comes into bold relief without bass and drums in the mix.

Read More at the Detroit Free Press

Submitted by Courtney on June 20th, 2011 — 09:00am

Branford Marsalis and Joey Calderazzo: Songs of Mirth and Melancholy

Publication: PopMatters
Author: Will Layman
Date: June 14, 2011

Branford is the fun Marsalis, the Marsalis who played with Sting and the Grateful Dead, the funny Marsalis who fooled around with a movie career (Throw Momma From the Train) and who was the bandleader and sidekick when Jay Leno first took over the Tonight Show way back.

But that can be deceptive. Branford, in many ways, has been just as “serious” about music as his polemical brother Wynton. Particularly when it comes to playing passionately straight-ahead jazz, Branford has been more hard-nosed. His quartet has been a long-standing institution that rarely indulges in themed records or gimmicks. Mostly, Branford has insisted on charging post-bop and aching classic ballads, drawing on the tradition of Rollins, Coltrane and Byas. Branford’s quartet has been an ain’t-no-foolin’-around outfit.

Since the pianist Kenny Kirkland passed away in 1998, the piano chair in Branford’s quartet has been decisively owned by Joey Calderazzo. Read more »

Branford Marsalis/JoeyCalderazzo – Songs Of Mirth And Melancholy – Marsalis Music

Publication: Audiophile Audition
Author: Robbie Gerson
Date: June 13, 2011

  ****½:
(Branford Marsalis – saxophone; Joey Calderazzo – piano)

When Kenny Kirkland passed away in 1998, the future of The Branford Marsalis Quartet was in question. However, pianist Joey Calderazzo proved to be an ideal replacement. Marsalis (under his own label) had been performing and introducing new artists to an ever-expanding jazz milieu. Hailing from a legendary New Orleans musical family, he garnered acclaim as a member of Art Blakey’s Jazz Messengers and the Wynton Marsalis quintet. Subsequently, he formed his own group, but was in demand as a session player (Miles Davis, Dizzy Gillespie, Herbie Hancock, Sting and Miles Davis). Additionally, he performed as a soloist for assorted symphonies and orchestras. This duality of classical music and jazz has produced a unique pursuit of artistic expression. In the family tradition, Marsalis has been involved in numerous collegiate workshops and instruction.

When Marsalis and Calderozzo decided to record as a duet, they wanted have a departure from the typical jazz collaboration. Songs Of Mirth And Melancholy does exactly that. Read more »