All press News

Harry Connick Jr. and Branford Marsalis join forces to raise funds for the Ellis Marsalis Center for Music

Publication: Nola.com
Author: Erika Goldring
Date: February 5, 2014

It was a daytime luncheon and concert, unusual for the Civic Theatre, but the crowds were just as enthused to be there. It was a benefit for the Ellis Marsalis Center for Music, located in the Musicians’ Village in the city’s Upper Ninth Ward. The Village was founded by native New Orleanians Harry Connick Jr. and Branford Marsalis, and constructed by Habitat for Humanity, as affordable housing for musicians and to create a sense of shared community.

So whom else would the Center ask, other than Connick and Marsalis, to help raise funds! The concert, on Tuesday (Feb. 4), not only featured performances from Connick — now on TV every Wednesday and Thursday nights for “American Idol” — as well as from Branford Marsalis (his father is Ellis Marsalis), Stephen Walker, Dewey Sampson, Andrew Baham and Ricky Sebastian and students from the Center, among others. Read more »

Harry Connick, Jr., Branford Marsalis showcase young musicians

Publication: WWLTV.com
Reporter: Bill Capo
Date: February 4, 2014

NEW ORLEANS — Performing with music legends Harry Connick, Junior and Branford Marsalis was unforgettable for two young musicians.

Two years after opening, the Ellis Marsalis Center in the Habitat For Humanity Musicians Village is providing music education to 200 students, ages 7 to 18.

I think it has exceeded what we thought,” said Harry Connick, Jr. “I mean when Branford and I thought about this, it was just kind of a vague concept.”

The idea that you have 7- and 8-year-old kids playing clarinet and playing violin and playing piano and playing in orchestras,” added Branford Marsalis.

I think it is kind of beyond people’s expectations, at least that’s the way parents communicate to me,” said Ellis Marsalis Center Executive Director Michele Jean-Pierre.

Connick and Branford Marsalis remain committed to New Orleans. They’re also looking at the future, especially where music is concerned.

If they don’t support the center, they basically are not supporting the future generations of musicians that will make New Orleans what it is,” Connick said. Read more »

Doug Collette's Take Five

Publication: Glide Magazine
Author: Doug Collette
Date: December 2, 2013

The Branford Marsalis Quartet/Four MF’s Playin’  Tunes (Marsalis Music): Alternately sultry and scorching, this album belies the casual informality of its title. No doubt inspired by both their extended tenure together and the challenging, memorable original material supplied by pianist Joey Calderazzo, BMQ explore the rhythm and melody of tunes without losing their inner pulse or fundamental motif and, in doing so, the musicians maintain their individual personalities even as they forge a collective persona as the group.

Eric Revis/City of Asylum (Clean Feed): Establishing an intense state of collective concentration with the downbeat that begins the first track, it’s simple to see how Eric Revis has remained a stalwart within The Branford Marsalis Quintet for sixteen years. Read more »

Submitted by Courtney on December 11th, 2013 — 10:51am

SNJO/Branford Marsalis Perth Concert Hall

Publication: Herald Scotland
Author: Rob Adams
Date: September 30, 2013

Wayne Shorter’s reputation as one of the jazz world’s most thoughtful and keenly melodic composers was fully endorsed by this warm, beautifully realised celebration of his art by what one of the Scottish National Jazz Orchestra’s high-profile recent guests described as “one of the best jazz orchestras on the planet” in concert with another jazz luminary, saxophonist Branford Marsalis.

As featured soloist on Shorter’s twin specialisms of tenor and soprano saxophones, Marsalis never tried to emulate his hero, although Shorter’s liking for precise, gnomic phrases possibly influenced his thought processes occasionally. His playing was by turns direct and expansive and always brilliantly cogent and in the spirit of the composition, be it ever so slightly mysterious or downright amiable.

Submitted by Courtney on September 30th, 2013 — 09:58am

Branford Marsalis in Wayne’s world

Publication: The Scotsman
Author: Jim Gilchrist
Date: September 23, 2013

Shorter, 80 this year, has been a hugely influential figure during his various periods with Art Blakey’s Jazz Messengers, Miles Davis, jazz-rockers Weather Report and in his own Blue Note recordings. Marsalis, the 53-year-old scion of a famously musical family, has carved an international reputation of his own, as a powerful and independently-minded jazz player as well as a lyrical interpreter of classical music.

This will be Marsalis’s first collaboration with the SNJO, although he has known its director, fellow-saxophonist Tommy Smith, “forever”. When I ask if he’ll be avoiding slavish replication, he replies: “I’m completely into replicating it. I have the opposite view of most of my jazz colleagues… I don’t do any form of music as a 
vehicle to glorify myself per se.

“A lot of people might say, ‘Hey, I’m gonna do Wayne Shorter’s music, but I’m going to be me,’” Marsalis observes drily, citing “Daniel Day-Lewis’s excellent portrayal of Abe Lincoln. Some people go so far as to say it’s almost like he was the man himself. Really?

“As I know from studying drama, the idea is to capture the essence of a person, not every single one of their mannerisms. So when I play Shorter’s music, I’ll try to play the essence of it. I’ve spent so much time studying it that it’s virtually impossible for me not to have his influences coming to bear.” Read more »

Submitted by Courtney on September 23rd, 2013 — 08:13am