Branford Marsalis caps his New Orleans Jazz Fest 2014 with a grand family reunion

Publication: The Times-Picayune The Times-Picayune
Author: Chris Waddington, NOLA.com
Date: April 26, 2014

Saxophone colossus Branford Marsalis knows how to close out a Saturday (April 26) at the New Orleans Jazz Fest: Bring brother Jason and father Ellis onto the Jazz Tent stage for a chilling account of “St. James Infirmary.” Their whiplash rendition opened with a doom-laden bass solo by Eric Revis, and unscrolled with all the darkness that three natives of New Orleans can bring to a dirge that is in their blood.

It was a glorious climax to a program that showcased Branford Marsalis’ powerful working band. In addition to Revis, the quartet includes Joey Calderazzo on piano and Justin Faulkner on drums. Thanks to them, the energy never dropped when Marsalis stepped away from the spotlight.
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Submitted by Ben on April 28th, 2014 — 09:31am

'An Evening with Branford Marsalis’ at George Mason University’s Center for the Arts

Publication: DC Metro Theater Arts
Author: Marlene Hall
Date: April 13, 2014

Seeing one of Jazz’ masters like Branford Marsalis perform is one of life’s greatest pleasures. I had the honor of watching jazz great Marsalis at George Mason Performing Arts Center Saturday night. Marsalis and his quartet played mostly songs from their new album Four MFs Playin’ Tunes.

Marsalis is a renowned saxophonist and composer. Marsalis is a three time Grammy winner, a 2010 Tony nominee and 2010 Drama Desk Award winner for the music for the Broadway revival of August Wilson’s Fences. He has released more than 20 recordings, including his most recent, 2012’s Four MFs Playin’ Tunes.

I overheard an audience member comment how Marsalis has incredible breath control and my professional musician friend, said, “His sound is pure.” We got to watch and hear a genius play that night.

The musicians were: Joey Calderazzo on piano; Eric Revis on bass; Justin Faulkner on drums, and Mr. Marsalis on saxophone. Calderazzo was seated on the left and had his back to the audience, so we could see his fancy finger work. Marsalis was front and center and the bass player behind him. On the right was drummer Faulkner, who shared the spotlight with all the musicians. It was nice to see he wasn’t hidden in the back like many drummers I have seen in other concerts. Read more »

Jazz saxophonist Branford Marsalis and quartet perform Friday evening

Publiation: Gainesville.com
Author: Jeff Schweers
Date: April 2, 2014

Basketball is probably the last thing you’d expect to talk to Branford Marsalis about, but when talking to the award-winning saxophonist you have to expect the unexpected.

Same goes for his concerts. When he and his quartet come to the Phillips Center on Friday, the audience could be in for a surprise because the band has no setlist and plays according to the room and the audience.

“As soon as we hear the room and the sound with an audience we will know what to play,” Marsalis said by phone while eating breakfast at a cafe in Durham, N. C., before teaching class at North Carolina Central University, where he’s been since joining the faculty in 2005.

At one recent concert the audience wasn’t responding to anything written after 1950, so Marsalis called out to the band “Trad night,” and they played a set of traditional songs. “They were over the moon,” he said of the band. Read more »

Submitted by Courtney on April 2nd, 2014 — 05:09pm

From jazz to classical, Branford Marsalis stays busy

Publication: The Advocate
Author: John Wirt
Date: March 27, 2014

Jazz saxophonist Branford Marsalis just returned to the U.S. from London. He spent challenging days there studying Baroque ornamentation with flutist Stephen Preston. This week he’s playing jazz gigs in Puerto Rico, Florida and Indiana. Next week he’s in Baton Rouge and Florida again. The following week he goes to Georgia, North Carolina and Virginia.

Marsalis, the eldest son of New Orleans’ modern-jazz pianist, composer and educator Ellis Marsalis, moves between playing jazz with his Branford Marsalis Quartet and performing classical concertos with symphony orchestras. He also composes music for the Broadway stage and teaches.

Before his two Wednesday shows at the Manship Theatre in Baton Rouge, Marsalis will join his brothers Wynton, Delfeayo and Jason, their father, Ellis, and the Jazz at Lincoln Center Orchestra in concert Saturday at Butler University in Indianapolis.

The Marsalis family and the Jazz at Lincoln Center Orchestra being the great jazz musicians they are, only a minimum of musical preparation is necessary for the Indianapolis concert.

A Marsalis family concert at the Kennedy Center in Washington, D.C., for instance, which can be heard in the 2009 album, “Music Redeems,” came together at 2 a.m. the night before the event.

“Wynton and I both flew straight into D.C., from Europe that day,” Marsalis said. “We know what we’re doing.”

An accomplished musician at 53, the Durham, N.C.-based Marsalis nevertheless makes time to practice hours a day, every day. Read more »

Submitted by Courtney on March 28th, 2014 — 12:18pm

Interview: Ellis and Wynton Marsalis

Publication: NUVO News
Author: Scott Shoger
Date: March 26, 2014

Ellis Marsalis, Jr. — the paterfamilias of the jazz-playing Marsalis clan — says he was “never big on family bands.” Maybe that’s why even after the Marsalis family performed together for the first time during a retirement celebration for Ellis in 2001, they still don’t play as a family all that often. The sole date on their online schedule is their Clowes Hall show. And then they’ll go their separate ways: Wynton with his Jazz at Lincoln Center Orchestra; Ellis, Branford and Jason with their respective quartets; Delfeayo with the Uptown Jazz Orchestra; spoken word artist Ellis III to wherever it is that he issues his oracular judgments on American life (Wynton will have more on that in a minute).

In short, all the Marsalises lead busy professional and personal lives, so it’s only when Ellis is “interested in doing it,” according to Wynton, that they get together for another show. “He’s at the stage now of his life where we try to get together and touch base with him,” he adds. I talked with both Ellis and Wynton this week: Ellis from New Orleans; Wynton from somewhere on the road between San Francisco and Ames, Iowa (he prefers not to fly when he has a choice). The results are as follow, but a quick bio seems in order:

Born in New Orleans in 1934, Ellis Marsalis, Jr. came up as jazz pianist, playing in a modern style that wasn’t obviously indebted to Dixieland and R&B, before moving into education, eventually teaching on both a high school and university level, notably at the New Orleans Center for Creative Arts. He and his wife, Delores, have six sons, five of whom will perform at Clowes. There’s Branford, an adventurous saxophonist who’s worked with Art Blakey, Sting and the Grateful Dead and briefly served as musical director for The Tonight Show. Wynton, a nine-time Grammy winner, long-time artistic head of Jazz at Lincoln Center and notorious contrarian. Ellis, who contributes spoken word monologues to some Marsalis Family gigs. Trombonist Delfeayo, who has followed directly in his dad’s path in becoming a New Orleans-based educator. And drummer Jason, the youngest Marsalis, who has spent more time performing with his dad than any other son.

Feel free to consult Wikipedia or, hell, the Grove Dictionary of Music for more information; for now, to the interviews!
  

NUVO: So, who calls the shots at a Marsalis Family show? Your dad?

Wynton Marsalis: Yeah, we go along with him, whatever he wants. He sacrificed for us so much, we have so much respect for him that it’s not a problem.

NUVO: Is there any different sort of chemistry when playing with your family vs. playing with other talented musicians?

Wynton: We all grew up listening to our father’s music. But for Branford and I, it’s different because we grew up playing together. We didn’t play with Delfeayo so much because he’s younger than us. And Jason was two when I left home. He’s such a talented musician, with his hearing and the understanding of the concepts of what we play. He grew up playing with my father, so I’m sure there’s a chemistry between them. Read more »