Doug Collette's Take Five

Publication: Glide Magazine
Author: Doug Collette
Date: December 2, 2013

The Branford Marsalis Quartet/Four MF’s Playin’  Tunes (Marsalis Music): Alternately sultry and scorching, this album belies the casual informality of its title. No doubt inspired by both their extended tenure together and the challenging, memorable original material supplied by pianist Joey Calderazzo, BMQ explore the rhythm and melody of tunes without losing their inner pulse or fundamental motif and, in doing so, the musicians maintain their individual personalities even as they forge a collective persona as the group.

Eric Revis/City of Asylum (Clean Feed): Establishing an intense state of collective concentration with the downbeat that begins the first track, it’s simple to see how Eric Revis has remained a stalwart within The Branford Marsalis Quintet for sixteen years. Read more »

Submitted by Courtney on December 11th, 2013 — 10:51am

Discounted Holiday Bundles Available in our Online Store!

Please visit the Marsalis Music store for specially priced bundles of merchandise available now through January 1 to help you celebrate the holiday season.

We are featuring a bundle of Marsalis Family CDs that come with a poster signed by Ellis, Branford, Wynton, Delfeayo & Jason Marsalis.

Our store is the only place where you can purchase Harry Connick, Jr’.s Music From The Happy Elf CD together with The Happy Elf children’s book written by Harry himself.

Also featured is the opportunity to purchase the Branford Marsalis Quartet’s Four MFs Playin’ Tunes CD together with a poster signed by all four members of the band.

In addition to our special packages, you can enter Discount Code MMCHEER at checkout to receive 20% off of your entire order!*

*discount does not apply to bundles Read more »

Submitted by Courtney on November 5th, 2013 — 03:41pm

Among Friends – Branford Marsalis with The Scottish National Jazz Orchestra Live In Perth 27.9.13

Publication: www.INSTRUMENTAL.com
Date: September 29, 2013

There some names in jazz that carry with them innumerable expectations and assumptions. Unsurprisingly, most of them turn out to be wrong because we have come to believe the media streams before the evidence of our own eyes and ears. Branford Marsalis is one of those names, and his appearances with The Scottish National Jazz Orchestra (SNJO) will set the record straight for those smart enough or lucky enough to have had a ticket.

Most of the press hubris surrounding the family name quickly descends into a chaotic dissection of the jazz body politic and the fomenting of non-existent controversy. Fortunately, Branford Marsalis has friends and fans on his side who only want to hear him play and this is where he found himself last Friday night at Perth Concert Hall.

Better still The Music of Wayne Shorter provided exactly the sort of platform for the scope of his artistry while the SNJO directed by saxophonist and founder Tommy Smith, offered a superbly realized context for Shorter’s demanding music. Not content with that, they presented challenges to themselves and pearls to the audience with gymnastic arrangements provided by the likes of Manu Pekar, Mike Gibbs, Geoffrey Keezer and newcomer Jacob Mann.

Marsalis is famous for disregarding musical boundaries but is especially associated with classical settings of tremendously mellifluous and lyrically flowing melody. Read more »

Submitted by Courtney on October 28th, 2013 — 09:40am

SNJO/Branford Marsalis Perth Concert Hall

Publication: Herald Scotland
Author: Rob Adams
Date: September 30, 2013

Wayne Shorter’s reputation as one of the jazz world’s most thoughtful and keenly melodic composers was fully endorsed by this warm, beautifully realised celebration of his art by what one of the Scottish National Jazz Orchestra’s high-profile recent guests described as “one of the best jazz orchestras on the planet” in concert with another jazz luminary, saxophonist Branford Marsalis.

As featured soloist on Shorter’s twin specialisms of tenor and soprano saxophones, Marsalis never tried to emulate his hero, although Shorter’s liking for precise, gnomic phrases possibly influenced his thought processes occasionally. His playing was by turns direct and expansive and always brilliantly cogent and in the spirit of the composition, be it ever so slightly mysterious or downright amiable.

Submitted by Courtney on September 30th, 2013 — 09:58am

Marsalis pitches it right for SNJO

Publication: Herald Scotland
Author: Rob Adams
Date: September 27, 2013

The Scottish National Jazz Orchestra could hardly have wished for a better spokesman for its latest project than the man who will take the stage as featured soloist with the orchestra this weekend to pay tribute to the great saxophonist and composer Wayne Shorter.

When asked what makes Shorter’s often enigmatic music attractive to him as a musician, Branford Marsalis gives a reply that will lend SNJO’s marketing effort any lift it might need.

Despite the harmonic complexity in his music, Shorter’s music has beautiful melodies you can follow as a casual listener,” he says, before adding the line that the floating audience needs to hear: “One doesn’t have to be a jazz fanatic to appreciate his music.”