Publication: Something Else!
Author: Nick Deriso
Date: October 7, 2014
Never one to shy away from a big moment, Branford Marsalis brought his saxophones — and nothing else — to one of jazz’s most iconic settings for what would become his first-ever unaccompanied performance and album.
The results, recorded in 2012 at Grace Cathedral in San Francisco, and due October 21, 2014 via Marsalis Music-Okeh Records, doesn’t supercede Duke Ellington’s initial 1960s-era Sacred Concert — held there, as well — so much as endeavor to expand the vocabulary of that stirring triumph.
Ellington, back then, was focused on blending jazz, black gospel and classical into a kind of large-scale, yet intimate tapestry of emotion. Marsalis, as evidenced by his single-instrument vehicle, is crafting more in miniature on In My Solitude: Live at Grace Cathedral — but at the same time, pushing in his own way to blur the lines between post-bop jazz and contemporary classical. In place of the sacred, he delves into modernity of free-form improv. As such, this won’t translate for fans who’ve come to his music via tandem collaborations in pop music.
In fact, In My Solitude works diligently away from those expectations, as Marsalis tracks deeper into melody, and then into far more individualistic asides, while moving determinedly away from the bawdy shower of notes associated with rock and R&B. His work here, then, is apt to recall Sonny Rollins or Sam Newsome more than, say, Sting.