new orleans

Ellis Marsalis, patriarch of America’s First Family of Music

Publication: Post-Tribune
Author: Diane Kubiak
Date: April 6, 2012

If recent reviews are an indication, ticket holders can expect a musical treat from jazz master Ellis Marsalis, headliner of the Valparaiso University 27th annual Jazz Festival on Saturday, April 14.

Jazz reviewer Dean Shapiro of “Where Y’At” magazine had high praise for the elder Marsalis’ release of “Jazz at Christmas in New Orleans” last fall. “It invites the listener to tune in with a fresh set of ears,” he wrote.

Although the selections were familiar, “only a master composer/arranger like pianist Ellis Marsalis, patriarch of America’s First Family of Music, could have pulled off such an astounding transformation,” Shapiro wrote.

Marsalis’ musical transformations in other works are done both with respect for the original and with the entire history of the genre at his fingertips. Consider his CD “An Open Letter to Thelonious Monk.” The song “Deceleration” does more than put one into a relaxed mood; the music requires one to relax in order to appreciate the subtle harmonies and dissonances as they keep the listener in that delicious place between surrender to the lyrics and anticipation of its next nuance.

His command of the history of his genre comes forth, too, in the CD “Homecoming,” a reissue of the famous 1984 recording session of Ellis with Eddie Harris on tenor sax. In Ellis’ left hand one can hear the rhythm of New Orleans in the beat of people striding down “Hickory and Cognac Streets,” as the song is entitled.

Marsalis recently shared some of that New Orleans history in a phone interview that included insights into his craft, his teaching, the upbringing of his six sons and the struggle to “make a living” in times that were transforming both musically and socially.

A new Orleans native

Born on Nov. 11, 1934, at the height of the Great Depression, Ellis Marsalis began his formal music studies at age 11 when he attended the Xavier University Junior School of Music. “I was fortunate enough to be born in New Orleans,” he said. Read more »

Submitted by Bobby on April 6th, 2012 — 03:14pm

Harry Connick Jr. and Branford Marsalis explore their family trees on PBS' 'Finding Your Roots'

Publication: Nola.com
Author: Dave Walker
Date: March 25, 2012

The genealogy surprises revealed to Harry Connick Jr. and Branford Marsalis by Henry Louis Gates, Jr., in the latest installment of Gates’ “Finding Your Roots” series for PBS are so much fun they could count as story spoilers. So, if you want those surprises preserved, feel free to now skip ahead a few paragraphs knowing that a couple of New Orleans’ favorite sons meet some great-great-greats they couldn’t have imagined having. Spoilers a-comin’.

The episode airs at 7 p.m. Sunday (March 25), followed by a second hour in which Gates does similar digging for Newark, N.J., Mayor Cory Booker and Rep. John Lewis (D-Ga.).

The Marsalis musical dynasty, it turns out, is the product of the mid-1800s union of a German immigrant and a free woman of color.

The couple couldn’t marry, and their relationship – which produced seven children – was a statistical rarity.

“They had a relationship of mutuality and love and that kept them together, and that’s really neat,” Gates said during a recent phone interview. “Here’s something that will never be lost now for the Marsalis family, that they’re descended from this white man who defied all the common prejudices of the time. He gets off the boat and the first thing he sees is this beautiful free Negro woman, and boom they have seven children. Can you imagine writing home? Read more »

Stars search for their roots on PBS series

Publication: Lansing State Journal
Author: Mike Hughes
Date: March 24, 2012

Decades ago, the Marsalis kids had their notion of fun.

Branford, 13, and Wynton, 12, would find white Marsalis families in Summit, Miss.

“We’d knock on the door and say, ‘We’re doing our family tree and I think we’re related,’” Branford Marsalis recalled semi-sheepishly, “ just to watch them go, ‘Oh no, there must some mistake!’”

In truth, he knew they weren’t related to these people – “we were just being jerks” – but he also knew there were whites somewhere on the family tree. “In the hot Louisiana sun, when I … saw little blond hairs on my arm, I thought, ‘Ahh, that’s not supposed to happen.’”

The search for answers is at the core of “Finding Your Roots,” Henry Louis Gates’ new PBS series. It reflects something that has drawn Gates since the 1960 funeral of his grandfather. Read more »

Submitted by Bobby on March 26th, 2012 — 03:24pm

Two paths, one place: The ties that bind Branford Marsalis and Harry Connick Jr.

Publication: USA Weekend
Author: Elyssa Gardner
Date: March 22, 2012
For a video featuring Branford and Harry, please visit the USA Weekend website.

“Ready to go?” Branford Marsalis prods Harry Connick Jr., placing his hands on Connick’s shoulders. The celebrated musicians and old friends are at a New York rehearsal hall for a photo shoot, but Connick can’t pry himself away from the piano.

It’s surely a familiar sight for Marsalis, 51, whose father, Ellis, gave Connick, 44, lessons more than four decades ago in their shared hometown, New Orleans.

Connick and Marsalis have remained close friends and collaborate on musical and philanthropic projects, such as supporting artists in their native city after Hurricane Katrina. Now, on Sunday’s Finding Your Roots With Henry Louis Gates, Jr. on PBS, it is revealed that while their ancestors charted very different paths, the family trees were shaped by common historical events.

Both have European ancestors who landed in the South.

Marsalis’ maternal great-great-great-grandfather, John Reinhart Learson, immigrated to New Orleans from Germany before the Civil War. The name Marsalis, however, actually was taken from his great-grandfather’s stepfather.

“My actual great-great-grandfather was a man named Isaac Black,” Marsalis notes.

Connick’s great-great-grandfather arrived in Mobile, Ala., from Ireland and wound up a Confederate soldier in the Civil War. A bit shaken by that revelation, Connick discussed it with his buddy, who reassured him. “I said, ‘Of course he was,’” Marsalis recalls. “‘What else would he have done?’ That doesn’t have any bearing on how Harry and I are with one another. It was a different time.” Read more »

Submitted by Bobby on March 23rd, 2012 — 02:07pm

The Marsalis family: The Times-Picayune covers 175 years of New Orleans history

Publication: The Times-Picayune
Date: February 1, 2012
Author: Keith Spera

In a city known for musical families, few have affected the jazz community in New Orleans and beyond as greatly as the Marsalis clan. As a fluent pianist and composer, patriarch Ellis Marsalis Jr. has gigged with Al Hirt’s band and Bob French’s Storyville Jazz Band, led his own groups and released his own albums.

As a music educator, he taught at Xavier University, the New Orleans Center for Creative Arts and Virginia Commonwealth University. His students included Harry Connick Jr., Terence Blanchard, Irvin Mayfield and Donald Harrison Jr.

In 1989, he returned to New Orleans from Virginia to establish the jazz studies program at the University of New Orleans. He encouraged his students to perform at local nightclubs, simultaneously gaining experience and infusing the scene with fresh talent. He continues to perform most Friday nights at Snug Harbor.

Four of his and wife Dolores’ six sons are professional musicians.

Branford Marsalis, a saxophonist with an especially modernist approach, served as the bandleader on “The Tonight Show with Jay Leno” and recorded and performed with the pop star Sting, among many others. He founded a jazz record label, Marsalis Music, and now lives in North Carolina. Read more »

Submitted by Bobby on February 1st, 2012 — 02:48pm

Listening Session with Branford Marsalis

Publication: Duke Performances The Thread
Author: Darren Mueller
Date: January 16, 2012

Journalist John Feinstein once described legendary UNC coach Dean Smith as the “most competitive human being” he had ever met. Smith was so competitive, Feinstein said, that he’d even compete in an interview. The same could be said of saxophonist Branford Marsalis, another local legend, who joined Duke Performances Director Aaron Greenwald for a listening session at Durham’s Motorco Music Hall on January 12. Always happy to express an opinion, Marsalis is a lightning rod for criticism as a result of his unapologetic stance on the contemporary state of jazz.

Throughout the night, Marsalis showed that he doesn’t mind talking about difficult subjects. “Most people that I know,” he said, “are comfortable when they can predict the outcome of the conversation. See, I’m the opposite of that. I find that boring. I want someone to come and tell me I’m full of crap and then I can defend it. I enjoy arguing. I enjoy it because it’s challenging. What gets accomplished when people just agree? But I don’t enjoy screaming, I enjoy arguing.”

As Marsalis told the audience, this comes from his upbringing in a competitive musical family. Read more »

Submitted by Bobby on January 17th, 2012 — 03:09pm

Harry Connick, Jr. Trio: The Happy Elf

Publication: JazzWeekly.com
Author: George Harris
Date: December 8, 2011

There’s just something about Harry Connick Jr. that you just gotta love. He’s got great musical instincts, and a heart for service, as he’s shown by his unrelenting assistance for NO post Katrina. Here, he’s put together a disc that serves as a companion to his children’s book, just in time for the Christmas Season. The disc begins with Connick telling the story from the book, with background music supplied by himself and his regular team of Arthur Latin/dr and Neal Caine/b. After that, it’s strictly instrumentals, with the remaining dozen tunes spotlighting Connick’s clever writing skills, as well as his impressive chops. Read more »

Submitted by Bobby on December 8th, 2011 — 12:55pm

Ellis Marsalis Music Center crowns Musicians' Village

By Bill Capo
Eyewitness News
August 25, 2011

NEW ORLEANS — There was a standing room only crowd, with actress Renee Zellweger in the audience, for the dedication of the new Ellis Marsalis Center for Music, the centerpiece of Habitat for Humanity’s Musicians Village project in the Ninth Ward.

Harry Connick Jr. and Branford Marsalis played key roles in developing the Musicians Village, and the center, but as performers, they called this hall acoustically perfect.

“You’re in the middle of the Upper 9th Ward,” said Connick.  “You’ve got the highest level of state-of-the-art technical facility here. it is like all these worlds coming together.”

“You could bring a string quartet in here, and they could play without one shred of amplification, and everybody in here could hear every note in here regardless of the volume,” raved Marsalis.

“You could also bring Dr. John in here with his full band, and people would love every minute of it.”
Read more »

Ellis Marsalis Center for Music has Many 'Fathers'

THE TMES PICAYUNE/ NOLA.com
August 27, 2011
By Keith Spera

Two days before Thursday’s official unveiling of the Ellis Marsalis Center for Music, I asked Harry Connick Jr., a driving force behind its creation, if he felt like an expectant father.

“Sort of,” Connick joked. “I guess if I lived in a commune, and it was polygamous, and you didn’t know who the father was.”

His point was, it takes a village to raise a Village. The new,multimillion-dollar arts education center in the Musicians’ Village has many fathers.

Among them were Connick’s close friend, saxophonist Branford Marsalis, and the duo’s longtime manager, Ann Marie Wilkins.

She, Connick made clear, handled most of the grunt work — the paperwork, the endless meetings, the logistics, the sweet-talking, the arm-twisting.

“There’s people that are way ahead of me in the credit line for this,” Connick said. “I’ve been a big mouthpiece for it, and tried my best to raise money for it. Ann Marie, they should canonize her. She made this happen. We just do what she says.”

New Orleans Area Habitat for Humanity, under executive director Jim Pate, developed the Musicians’ Village from an idea Marsalis and Connick hatched while driving to Houston soon after Hurricane Katrina to entertain evacuees.

Ellis Marsalis Center for Music opens in Musicians' Village

Thursday, August 25, 2011
By Keith Spera
The Times-Picayune

On Wednesday afternoon, Harry Connick Jr. and Branford Marsalis kicked the proverbial tires at the Ellis Marsalis Center for Music, the new, multimillion-dollar arts, educational and community center in the upper 9th Ward’s Musicians’ Village.
Marsalis Center for Music
They jokingly checked under classroom desks for gum. They strode the dance studio’s wood floor. They demonstrated the 1.5-millisecond echo in the 150-capacity, acoustically engineered performance hall.

Had such a facility existed when he was a boy, Connick marveled, “I would have been here every day.”

The Ellis Marsalis Center for Music, named for Branford’s father, the storied jazz pianist and educator, officially opens today with a private celebration.

Gov. Bobby Jindal and Mayor Mitch Landrieu are expected to speak. Connick, the senior Marsalis, and Branford and several of his siblings are slated to perform.
Read more »