Branford Marsalis News

Jazz musicians continue John Coltrane's legacy

Publication: St. Louis Post-Dispatch
 Author: Calvin Wilson
Date: January 14, 2012

Of all the saxophonists who have found their sound in jazz, few have been as influential as John Coltrane. Almost 45 years after his death, his music continues to enjoy mainstream popularity, and his name retains its cultural capital. Recently, a commercial for an updated cellphone boasted its ability to “play some Coltrane.”

 Coltrane became famous as a bebop practitioner, but he became legendary as an avant-garde visionary. Along the way, he served as sideman to fellow legends Miles Davis and Thelonious Monk, and established a quartet — with pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones — that set a standard for jazz artistry.

Two saxophonists who have taken the legacy of “Trane” to heart are coming to St. Louis. His son Ravi Coltrane will lead a quartet at Jazz at the Bistro this week. And Branford Marsalis, who covered Coltrane’s “A Love Supreme” on the album “Footsteps of Our Fathers,” will perform with pianist Joey Calderazzo on Jan. 22 at the Sheldon Concert Hall.

“It’s hard to imagine jazz without John Coltrane,” Ravi Coltrane said. “Just like it would be hard to imagine jazz without Charlie Parker or Miles Davis. Because they weren’t just great players who existed in one or two periods. They were part of the progression of jazz — the moving of it, the shifting of it, the changing of it.”

The music of John Coltrane, Marsalis said, “is very similar to Beethoven’s music. On the face of it, it’s not very hard at all. No tricks, no secrets. Yet there’s a large amount of passion that you have to bring to the music to make it work. And he’s certainly had an influence on me as a player.”
Read more »

Submitted by Bobby on January 17th, 2012 — 12:06pm

For jazz pianist Joey Calderazzo, improvisation is the thrill of the hunt

Publication: Lexington Herald-Leader
Author: Walter Tunis
Date: January 15, 2012

In describing Songs of Mirth and Melancholy, the recent album of piano and saxophone duets he recorded with longtime bandmate Branford Marsalis, pianist Joey Calderazzo seemed almost dismissive.

Like most of the recordings he has been associated with — be they solo projects or the numerous works  undertaken during the past 12 years with  Marsalis’ extraordinary jazz  quartet — Calderazzo views Mirth almost  exclusively in the past tense. The jazz process for him involves immersing himself in the music, seeking something applicable from it that can benefit his playing, then moving on. Read more »

Submitted by Bobby on January 17th, 2012 — 12:31pm

Marsalis takes listeners along on his musical journey

Publication: The Herald-Sun
Author: Cliff Bellamy
Date: January 13, 2012

DURHAM – An audience at Motorco Music Hall heard everything from Miles Davis to Montiverdi during a listening session that tenor and soprano saxophonist Branford Marsalis led Thursday.

“It’s very cool that Branford lives in Durham,” said Aaron Greenwald, director of Duke Performances, who moderated the session. “It offers us some additional credibility.”

Marsalis also had some good things to say about Durham. The city reminded him of New Orleans, where he grew up, he told the audience. Too many cities are fragmented between the rich and poor, but Durham has “a lot of great economic diversity,” he said, and he wanted his child “to be mindful of people of all walks of life.”

In a wide-ranging talk, Marsalis answered questions from the audience, even joked about being mistaken for his brother and trumpeter Wynton Marsalis, but the focus was music. Read more »

Submitted by Bobby on January 17th, 2012 — 11:56am

STLJN Saturday Video Showcase: Mirth and Melancholy with Branford Marsalis and Joey Calderazzo

Publication: St. Louis Jazz Notes
Author: Dean Minderman
Date: January 15, 2012

To see Dean’s video picks, visit his original blog post here.

 This week, our video spotlight shines on saxophonist Branford Marsalis and pianist Joey Calderazzo, who will be in St. Louis for a duo performance on Sunday, January 22 at the Sheldon Concert Hall.

In June of last year, Marsalis and Calderazzo released Songs of Mirth and Melancholy, a duo CD on the saxophonist’s Marsalis Music label. This tour essentially is a followup to that recording, which received favorable reviews such as this one from Jazz Times’ Jeff Tamarkin and this one from AllAboutJazz.com’s Mark F. Turner. Read more »

Submitted by Bobby on January 17th, 2012 — 11:32am

Beacons of song: Marsalis/Calderazzo/Connick

Publication: Dark Forces Swing Blind Punches
Author: Hank Shteamer
Date: January 9, 2012

“If you give a soloist an open solo for thirty seconds, he plays like he’s coming from the piece that you wrote. Then he says, ‘What the hell was that piece I was playing from?’ And the next thirty seconds is, ‘Oh, I guess I’ll play what I learned last night.’ And bang! Minute two is whoever he likes. Which is probably Coltrane.”—Bob Brookmeyer (RIP), quoted in Ben Ratliff’s The Jazz Ear

I think about this quote a lot when I’m hearing jazz live. Often it’s because I’m thinking how much Brookmeyer’s cautionary anecdote applies to the situation at hand. Last night, thankfully, this was not the case.

The show was Branford Marsalis’s “A Duo of Duos” at Jazz at Lincoln Center’s Allen Room (TONY preview here), during which he dueted first with Joey Calderazzo—his partner on 2011’s Songs of Mirth and Melancholy, over which I’ve already gushed extensively—and second with Harry Connick Jr., the latter of whom didn’t sing. So these were pure saxophone/piano duos, with Marsalis switching between tenor and soprano. Read more »

Submitted by Bobby on January 10th, 2012 — 04:58pm