Branford Marsalis Quartet

'An Evening with Branford Marsalis’ at George Mason University’s Center for the Arts

Publication: DC Metro Theater Arts
Author: Marlene Hall
Date: April 13, 2014

Seeing one of Jazz’ masters like Branford Marsalis perform is one of life’s greatest pleasures. I had the honor of watching jazz great Marsalis at George Mason Performing Arts Center Saturday night. Marsalis and his quartet played mostly songs from their new album Four MFs Playin’ Tunes.

Marsalis is a renowned saxophonist and composer. Marsalis is a three time Grammy winner, a 2010 Tony nominee and 2010 Drama Desk Award winner for the music for the Broadway revival of August Wilson’s Fences. He has released more than 20 recordings, including his most recent, 2012’s Four MFs Playin’ Tunes.

I overheard an audience member comment how Marsalis has incredible breath control and my professional musician friend, said, “His sound is pure.” We got to watch and hear a genius play that night.

The musicians were: Joey Calderazzo on piano; Eric Revis on bass; Justin Faulkner on drums, and Mr. Marsalis on saxophone. Calderazzo was seated on the left and had his back to the audience, so we could see his fancy finger work. Marsalis was front and center and the bass player behind him. On the right was drummer Faulkner, who shared the spotlight with all the musicians. It was nice to see he wasn’t hidden in the back like many drummers I have seen in other concerts. Read more »

Jazz saxophonist Branford Marsalis and quartet perform Friday evening

Publiation: Gainesville.com
Author: Jeff Schweers
Date: April 2, 2014

Basketball is probably the last thing you’d expect to talk to Branford Marsalis about, but when talking to the award-winning saxophonist you have to expect the unexpected.

Same goes for his concerts. When he and his quartet come to the Phillips Center on Friday, the audience could be in for a surprise because the band has no setlist and plays according to the room and the audience.

“As soon as we hear the room and the sound with an audience we will know what to play,” Marsalis said by phone while eating breakfast at a cafe in Durham, N. C., before teaching class at North Carolina Central University, where he’s been since joining the faculty in 2005.

At one recent concert the audience wasn’t responding to anything written after 1950, so Marsalis called out to the band “Trad night,” and they played a set of traditional songs. “They were over the moon,” he said of the band. Read more »

Submitted by Courtney on April 2nd, 2014 — 06:09pm

Reviews: Marsalis and Vandermark unleash storms of sound

Chicago Tribune
Author: Howard Reich
Date: February 2, 2014

Two leonine saxophonists of very different sorts made major statements over the weekend, each reaffirming his stature as soloist and bandleader.

Though Branford Marsalis and Ken Vandermark occupy distinct locales on the jazz spectrum, listeners with varying tastes easily could admire the work of both men. For Marsalis and Vandermark proved that clarity of vision and ferocity of expression make a deep impact on an audience, regardless of the musical style or idiom at play. Read more »

Submitted by Courtney on February 3rd, 2014 — 10:59am

Doug Collette's Take Five

Publication: Glide Magazine
Author: Doug Collette
Date: December 2, 2013

The Branford Marsalis Quartet/Four MF’s Playin’  Tunes (Marsalis Music): Alternately sultry and scorching, this album belies the casual informality of its title. No doubt inspired by both their extended tenure together and the challenging, memorable original material supplied by pianist Joey Calderazzo, BMQ explore the rhythm and melody of tunes without losing their inner pulse or fundamental motif and, in doing so, the musicians maintain their individual personalities even as they forge a collective persona as the group.

Eric Revis/City of Asylum (Clean Feed): Establishing an intense state of collective concentration with the downbeat that begins the first track, it’s simple to see how Eric Revis has remained a stalwart within The Branford Marsalis Quintet for sixteen years. Read more »

Submitted by Courtney on December 11th, 2013 — 11:51am

Festival Review: Red Sea Jazz Festival August 18-21

Publication: The Jerusalem Post
Author: Barry Davis
Date: August 25, 2013

Branford Marsalis may have noted it was devilishly hot at the start of his quartet’s first gig at last week’s Red Sea Jazz Festival in Eilat, but he did absolutely nothing to moderate the furnace-like conditions. He and his cohorts – pianist Joey Calderazzo, bass player Eric Revis and drummer Justin Faulkner – poured out tons of white-hot energy and blistering, silky skills right from the word go.

In a pre-festival interview, 52-year-old saxophonist Marsalis had talked about intensity as his byword, and that was the key to the group’s success. The foursome played material from its latest album, Four MFs Playin’ Tunes, as well as the odd standard, and there was ne’er a dull moment in the entire 80+ minute set.

A prime example was Revis’s seemingly never ending ostinato – repetitive phrase – on one of the numbers. The order and volume of the bass notes never changed, but the intensity of the sound appeared to ebb and flow as the rest the band members did their thing. Read more »

Submitted by Courtney on August 26th, 2013 — 02:37pm

Joyful intent

Publication: The Jerusalem Post
Author: Barry Davis
Date: August 8, 2013

Branford Marsalis is one of the jazz fraternity’s brightest stars and clearest thinkers. The 52- year-old Grammy Award-winning saxophonist will bring a wealth of life experience, as well as scintillating musicianship, with him when he performs at this year’s Red Sea Jazz Festival in Eilat.

Marsalis will appear on August 20 and 21 with his quartet of pianist Joey Calderazzo, bass player Eric Revis and 21-year-old drummer Justin Faulkner.

Marsalis comes from one of the great jazz families. A native of New Orleans, he has several jazzplaying siblings – including muchfeted trumpeter Wynton, drummer Jason and trombonist Delfeayo – and his 78-year-old father, Ellis, is an iconic pianist and educator. As such, Marsalis got an early start to his musical path in life, although he did not feed off an exclusively jazz-oriented sonic diet.

“Back in those days there was FM radio, and they hadn’t yet worked out how to be commercial,” he recalls. “I heard the full version of “The Court of the Crimson King” [from the 1969 debut LP of British prog rock band King Crimson] and Led Zeppelin and all sorts of great rock music on FM radio. The approach to what could be played on the radio back then on FM radio was different.” But jazz was a constant presence in his early years too, primarily through his father’s influence.

As a young artist plying his way through the ranks, Marsalis benefited from the invaluable experience of working with jazz masters from his father’s generation and before. His incipient skills were honed while performing sideman duties with iconic trumpeters Dizzy Gillespie and Miles Davis and, along with brother Wynton, during a berth in powerhouse drummer Art Blakey’s long-running Jazz Messengers troupe. Blakey not only helped to guide the young reedman’s musical expression, but he also imparted some of the wisdom he accrued during his career at the pinnacle of the jazz pile.
Read more »

Submitted by Courtney on August 8th, 2013 — 02:17pm

Burlington Discover Jazz Fest Builds Upon Community

Publication: Downbeat.com
Author: Jon Ross
Date: July 3, 2013

Dynamic contrast, not needless velocity, grounded Marsalis’ quartet set on June 2, the closing concert of the first weekend. Marsalis, who had last been to the festival in 2009, turned in a wide-ranging and captivating set aided by his exceptional band, which includes drummer Justin Faulkner, an amazing talent who has come into his own as part of the group. Creating a complete ensemble sound and true improvisatory music is at the center of Marsalis’ aesthetic, and throughout the evening he let his bandmates improvise at length, stamping their own personal approach onto his tunes.

To read Jon Ross’ entire roundup of this year’s Burlington Discover Jazz Festival, check out Downbeat.com. Read more »

Submitted by Courtney on August 8th, 2013 — 12:44pm

The Week That Was: Branford Marsalis Quartet at the EKU Center for the Arts in Richmond

Publication: Kentucky.com
Author: Walter Tunis
Date: March 7, 2013

One doesn’t normally associate the dramatics and dynamics of a jazz artist, especially one as heralded as Branford Marsalis, with a stage move. But last week, the multi-Grammy-winning saxophonist and bandleader came up with one, whether he realized it or not, that was literally in step with the cool and wildly adventurous music conjured by his quartet. Read more »

Submitted by Courtney on March 8th, 2013 — 11:40am

‘An Evening with Branford Marsalis’ at Clarice Smith Performing Arts Center

Publication: DCMetroTheaterArts.com
Author: Tiffany Draut
Date: February 16, 2013

Five Stars
The Clarice Smith Performing Arts Center is known for its quality performances, and the audience is always more than appreciative. But the February 15, 2013 concert, An Evening with Branford Marsalis, had a level of energy and excitement not often seen at the Center.

Introduced by Susie Farr, the quartet sauntered onstage as if they were showing up to an informal jam session—a fun, relaxed tone that continued throughout the evening, and allowed the audience to relax and truly get excited about the music. Read more »

Submitted by Courtney on February 19th, 2013 — 06:18pm

Branford Marsalis Quartet brings intensity to University of Maryland

Publication: Washington Examiner
Author: Emily Cary
Date: February 14, 2013

Saxophonist/composer Branford Marsalis has been at the forefront of American jazz since his first foray out of his native New Orleans where the Marsalis family’s musical heritage stirs civic pride. Following membership in Art Blakey’s Jazz Messengers and the “Tonight Show” band, he has composed Broadway scores and film soundtracks, taught, established his record label and launched the Branford Marsalis Quartet.

Direct from “The Tonight Show” with Jay Leno, the quartet set forth on a tour destined for Oman and Europe with a stop Friday at the Clarice Smith Performing Arts Center for an evening of creative jazz. Prior to the concert, Marsalis and art professor David C. Driskell will discuss “Convergence: The Intersection of Visual and Performance Art in Jazz,” an exhibition opening concurrently in the David C. Driskell Center. Marsalis is committed to preserving jazz history and the works of its artists.

Read more »

Submitted by Courtney on February 15th, 2013 — 01:58pm