grace cathedral

Branford Marsalis – In My Solitude: Live at Grace Cathedral – Sony/Okeh, 64:57 – [10/28/14] *****

Publication: Audiophile Audition
Author: Jeff Krow
Date: October 26, 2014

Playing a solo recital concert in a sacred and iconic cathedral is quite an undertaking. Such is the task that the adventurous saxophonist Branford Marsalis took on when he played in a solo setting at the Grace Cathedral in San Francisco on Oct. 5, 2012. This famous cathedral was the setting for Duke Ellington’s famous Sacred Concerts in the 1960s, and since 1983 it has been used for jazz, baroque, and classical concerts. Its acoustics are marvelous and its setting is inspiring to both musicians and audiences. Its beauty is comparable to cathedrals in Europe. [And it has an outdoor labrinyth…Ed.]
 
For his repertoire Branford included composed and improvised material ranging from Bach, compositions by Steve Lacy and Ryo Noda, and Hoagy Carmichael’s “Stardust.” Marsalis titled his improvisations simply “Improvisations 1-4.” They were composed “on the spot” based on the vibe that was present in the cathedral at the time. 

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Submitted by Courtney on November 5th, 2014 — 12:22pm

Branford Marsalis - In My Solitude: Live at Grace Cathedral (2014)

Publication: Something Else!
Author: Nick Deriso
Date: October 7, 2014

Never one to shy away from a big moment, Branford Marsalis brought his saxophones — and nothing else — to one of jazz’s most iconic settings for what would become his first-ever unaccompanied performance and album.
 
The results, recorded in 2012 at Grace Cathedral in San Francisco, and due October 21, 2014 via Marsalis Music-Okeh Records, doesn’t supercede Duke Ellington’s initial 1960s-era Sacred Concert — held there, as well — so much as endeavor to expand the vocabulary of that stirring triumph.
 
Ellington, back then, was focused on blending jazz, black gospel and classical into a kind of large-scale, yet intimate tapestry of emotion. Marsalis, as evidenced by his single-instrument vehicle, is crafting more in miniature on In My Solitude: Live at Grace Cathedral — but at the same time, pushing in his own way to blur the lines between post-bop jazz and contemporary classical. In place of the sacred, he delves into modernity of free-form improv. As such, this won’t translate for fans who’ve come to his music via tandem collaborations in pop music.
 
In fact, In My Solitude works diligently away from those expectations, as Marsalis tracks deeper into melody, and then into far more individualistic asides, while moving determinedly away from the bawdy shower of notes associated with rock and R&B. His work here, then, is apt to recall Sonny Rollins or Sam Newsome more than, say, Sting.
 
Submitted by Courtney on October 8th, 2014 — 09:07am

BRANFORD MARSALIS CELEBRATES MELODY AND FEELING ON IN MY SOLITUDE: LIVE AT GRACE CATHEDRAL

Branford Marsalis continues to prove that there is no context too large or small to contain his gifts. A reigning master of the jazz quartet format, dedicated champion of the duo setting, in-demand soloist of classical ensembles both chamber and orchestral, and session-enhancing special guest on an array of rock, roots and pop performances over the course of his career, his ever-broadening creativity and instrumental command have created the profile of a multi-dimensional musician with few peers among contemporary performers.

One setting notably absent from Marsalis’s resume until now has been the unaccompanied solo concert. This most daunting of formats poses particular challenges that were met with his signature blend of serious intent, technical rigor and emotional directness when Marsalis brought his soprano, alto and tenor saxophones to Grace Cathedral on October 5, 2012. This San Francisco landmark, the site of Duke Ellington’s Sacred Concerts in the Sixties and, since 1983, home to recitals at the centerpiece of the annual San Francisco Jazz Festival, proved an ideal setting for a program spanning early and post-bop jazz, baroque and contemporary classical music and spontaneous improvisation. The results can be heard on In My Solitude: Live at Grace Cathedral, the new album that Branford is releasing on his Marsalis Music via OKeh Records imprint on October 21, 2014.

As might be expected from someone with such a refined appreciation of musical excellence, Marsalis prepared by listening to solo recordings by a range of preferred artists, including Sonny Rollins, Steve Lacy and Sam Newsome from the jazz world as well as Anner Blysma, Angela Hewitt and Arno Bornkamp among classical players. He also committed himself to a program that transcended blatant displays of virtuosity. “From my time playing r&b and rock and roll, I can listen like a casual listener,” he notes, “but the challenge for 80% of any audience, for any kind of music, is hearing melody and improvisation based on melody. Playing a lot of notes can be impressive at first, but will quickly make every song sound similar. So everything I played at Grace Cathedral was based on songs with great melodies, not being too `notey,’ and utilizing the feeling in the room.” Read more »

Submitted by Courtney on September 25th, 2014 — 12:39pm

Branford Marsalis to play Grace Cathedral

Publication: San Francisco Chronicle
Author: Jesse Hamlin
Date: August 26, 2012

Branford Marsalis decided to quit his coveted job as the musical director of “The Tonight Show” with Jay Leno in 1994 after playing Jacques Ibert’s concerto for alto saxophone with the San Francisco Symphony under the baton of another far-ranging jazz musician, Bobby McFerrin. The performance pleased the audience and critics, but not the artist.

It was dreadful, man. I hated the way I played,” says Marsalis, a forthright and funny man who’s unsparing in his praise for things he admires and blunt about those he doesn’t. “My tone was not good and my technique was shabby. I had to choose - I was either going to be a musician or stay in show business. After that concert, I decided I wanted to be a musician.” Read more »

Submitted by Courtney on August 27th, 2012 — 10:09am