Branford Marsalis News

Branford Marsalis Interview: ‘Four MFs Playin’ Tunes’

Publication: The Republic (Arizona)
Author: Ed Masley
Date: November 6, 2012

Branford Marsalis is about to bring the latest version of his jazz quartet — with Joey Calderazzo on piano, Eric Revis on bass and Justin Faulkner on drums — to the Musical Instrument Museum on the heels of releasing a brilliant new album amusingly titled “Four MFs Playin’ Tunes.”

But Marsalis has long since moved on from that album in his mind. It’s been a year since they recorded it. And he’s not living in the past.

The saxophonist graciously agreed to share his thoughts on everything from “Four MFs to what it meant to add a teenage drummer to the lineup in a thought-provoking interview that lasted nearly 30 minutes without ever making its way to the intended second question.

Question: The new album sounds amazing. I’d assume you’re pretty happy with the way it turned out?

Answer: I was, yeah. But we’re mentally on to the next thing (laughs).

Q: Already?

A: Oh yeah, man. The only thing our records do is document our progress or lack thereof. There’s growth and improvement or there’s just monotony. As Sonny Rollins told me, “Some of my colleagues have found something that works really well for them and they repeat that thing over and over again. And that’s cool, ’cause the hard thing to do is to find that one thing that works.” But for him, it’s always been about expanding and stretching and trying things, not standing still. And I agree. Read more »

A Few Words with Branford Marsalis

Publication: DANSR.com
Author: Sean Packard
Date: November 2, 2012

NEA Jazz Master and Grammy Award®-winning saxophonist Branford Marsalis has established himself as a world class artist – both jazz and classical, as a bandleader, composer, and as head of the Marsalis Music Record Label.  Marsalis leads one of the finest jazz quartets today, and performs frequently as a classical soloist with the Chicago Symphony Orchestra, the Boston Pops, and the New York Philharmonic.   Read more »

Submitted by Courtney on November 5th, 2012 — 01:40pm

JAZZ 2K: CD Picks of the Week

Publication: Nippertown!
Author: J Hunter
Date: October 19, 2012

BRANFORD MARSALIS QUARTET
Four MFs Playin’ Tunes
(Marsalis Music)

“Nothing to see here; everything’s under control.” That’s the underlying message of the title to the first Branford Marsalis Quartet disc without longtime drummer Jeff “Tain” Watts. That’s a big loss to the bottomless musical hive-mind that is the BMQ, but between their rip-snorting Proctors show in February and the cockeyed bop that drives MFs whirling opener “The Mighty Sword,” it sounds like 20-year old wunderkind Jason Faulkner has been assimilated just fine, thank you very much. He bubbles and bashes and bangs, while volcanic pianist Joey Calderazzo shows he’s light-years from the time when he was “that new guy” who replaced the late Kenny Kirkland. Read more »

Submitted by Courtney on October 25th, 2012 — 10:03am

Branford Marsalis Quartet: Four MFs Playin’ Tunes

Publication: The Abso!ute Sound
Author: Bill Milkowski
Date: October 1, 2012

This wryly-titled offering is the first to feature drummer Justin Faulkner, who replaced Jeff “Tain” Watts in the BMQ lineup in 2009 at age 18. This 180-gram double LP (also released on CD) is an immaculate-sounding collection that puts a premium on melody, though not at the expense of virtuosic soloing. Pianist Joey Calderazzo, a BMQ member since 1998, has matured into a first-rate composer and stellar improviser who relies less on his considerable chops than he did when he broke in with Michael Brecker’s group in the early 90s. His riff-oriented “The Mighty Sword” is as memorable as anything he’s ever written while his ethereal “As Summer Into Autumn Slips” beautifully showcases Marsalis’ unparalleled soprano playing. Read more »

Submitted by Courtney on October 4th, 2012 — 05:38pm

Four MFs Playin' Tunes: Branford Marsalis Quartet

Publication: Jazztimes
Author: Thomas Conrad
Date: October 4, 2012

Branford Marsalis is onto something here. In press notes, he explains, “We need to quit thinking of songs as vehicles and think of them as songs. … What we are trying to do is figure out the emotional purpose of each song … and then play according to that purpose.” Marsalis’ bands have always had chops to burn. Few ensembles have used songs as “vehicles” with more outrageous technical prowess. But often, in concert and on record, they paraded virtuosity at the expense of pacing. Art Blakey’s one-word description of jazz was “intensity.” Sometimes Marsalis believed it too much.

The new album is different because it contains more focused, unified development of specific song forms. There is still rarefied blowing by Marsalis on tenor and soprano saxophones and Joey Calderazzo on piano. But discipline creates a new musicality. Read more »

Submitted by Courtney on October 4th, 2012 — 10:58am