All press News

Branford Marsalis - In My Solitude: Live at Grace Cathedral (2014)

Publication: Something Else!
Author: Nick Deriso
Date: October 7, 2014

Never one to shy away from a big moment, Branford Marsalis brought his saxophones — and nothing else — to one of jazz’s most iconic settings for what would become his first-ever unaccompanied performance and album.
 
The results, recorded in 2012 at Grace Cathedral in San Francisco, and due October 21, 2014 via Marsalis Music-Okeh Records, doesn’t supercede Duke Ellington’s initial 1960s-era Sacred Concert — held there, as well — so much as endeavor to expand the vocabulary of that stirring triumph.
 
Ellington, back then, was focused on blending jazz, black gospel and classical into a kind of large-scale, yet intimate tapestry of emotion. Marsalis, as evidenced by his single-instrument vehicle, is crafting more in miniature on In My Solitude: Live at Grace Cathedral — but at the same time, pushing in his own way to blur the lines between post-bop jazz and contemporary classical. In place of the sacred, he delves into modernity of free-form improv. As such, this won’t translate for fans who’ve come to his music via tandem collaborations in pop music.
 
In fact, In My Solitude works diligently away from those expectations, as Marsalis tracks deeper into melody, and then into far more individualistic asides, while moving determinedly away from the bawdy shower of notes associated with rock and R&B. His work here, then, is apt to recall Sonny Rollins or Sam Newsome more than, say, Sting.
 
Submitted by Courtney on October 8th, 2014 — 10:07am

Going for Baroque: Branford Marsalis, chamber group in Seattle on Oct. 4

Publication: The Seattle Times
Author: Tom Keogh
Date: October 3, 2014

A concert of Baroque saxophone: What can that possibly sound like?
 
A Seattle audience is about to find out.
 
So is the saxophonist.
 
“We have not yet started rehearsals, so I can’t presume what we will sound like,” says Branford Marsalis, the Grammy Award-winning musician and composer.
 
The renowned and ubiquitous saxophone player, who has performed with everyone from Miles Davis to Public Enemy to the New York Philharmonic, is kicking off a 20-city tour with the Chamber Orchestra of Philadelphia at Seattle’s Meany Hall for the Performing Arts on Saturday (Oct. 4).
 
In an email interview days before Marsalis and the 50-year-old ensemble began rehearsing, the leader of the Branford Marsalis Quartet looked ahead to a Meany program of early music from across Europe. The bill includes works by J.S. Bach, Henry Purcell, Tomaso Albinoni, Louis-Antoine Dornel and others.
 
“All of the pieces are outside my comfort zone, and I relish the challenge,” Marsalis says. “That said, I’m really digging the French Baroque stuff.”

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Submitted by Courtney on October 7th, 2014 — 10:52am

Twin Cities Jazz Festival is larger than ever, with big names, more stages

Publication: Pioneer Press
Author: Dan Emerson
Date: June 26, 2014

Saxophonist Branford Marsalis and his quartet recently released an album of new material. So, will Marsalis and his mates be playing music from “4 MFs Playin’ Tunes” when they perform Friday evening in Mears Park at the 16th annual Twin Cities Jazz Festival?

That will depend on how we feel,” said Marsalis, who places a high value on the importance of “being in the moment,” and the spontaneous, on-the-fly creativity that is the essence of jazz.

If the three-time Grammy winner plays tunes from the new album at his festival appearance, they may sound somewhat different from the way they were recorded in the studio. Musicians like Marsalis and his mates don’t consider compositions to be static creations — they should evolve and improve over time as they are played live.

Marsalis leads a quartet that has stayed together longer than many modern jazz groups, with pianist Joey Calderazzo, bassist Eric Revis and the youngest member, drummer Justin Faulkner. There’s a widely accepted idea in the jazz world that the longer a band stays together the more it develops the ability to collectively and spontaneously create good music,onstage.

But familiarity alone “doesn’t do it,” said Marsalis, who divides his time between the jazz and classical music worlds. A willingness to risk failure is important. 

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Submitted by Courtney on June 27th, 2014 — 09:12am

I Know Why the Caged Bird Sings

Inspiration Maya Angelou recorded her reading of her classic poem “I Know Why the Caged Bird Sings” with Branford Marsalis and Buckshot LeFonque in this musical tribute to her talent and the important themes she was able to express so brilliantly.  She will be missed.

Submitted by Ben on May 28th, 2014 — 12:45pm

Melodic Study, Deep Listening and the Importance of Context (Downbeat Master Class by Branford Marsalis)

BM Downbeat Master Class

Submitted by Ben on May 15th, 2014 — 12:26pm