Branford Marsalis News

‘Ma Rainey’s Black Bottom’

’Ma Rainey’s Black Bottom’, featuring original music from Branford Marsalis, is out now on Netflix. The film chronicles the life of “Mother of the Blues” Ma Rainey, and stars Viola Davis and the late Chadwick Boseman in his final on-screen performance.

The soundtrack, featuring original music from Branford Marsalis, is also out now (via Milan Records).

“When I signed on to direct, I instantly knew I wanted to work with Branford Marsalis, because when you collaborate with Branford the composer/arranger, Branford the historian, musicologist, dramatist, and raconteur shows up as well,” director George C. Wolfe said in a statement. “And because he understands the inherently transgressive nature of the blues, Branford’s arrangements capture not only the cultural and regional DNA in Ma Rainey’s songs, but the wit and rage embedded in every note, shout, and moan.” Read more »

Submitted by crwadmin on December 21st, 2020 — 05:25pm

Upward Spiral nominated for 2017 Grammy award!

GrammyCongratulations to the Branford Marsalis Quartet with special guest Kurt Elling for their 2017 Grammy nomination in the category of Best Jazz Vocal Album! The project has many upcoming US and European concert dates, beginning in January 2017, so please visit Branford’s website to see if the group will be performing in a location near you.

Submitted by Ben on December 6th, 2016 — 12:43pm

Branford Marsalis Quartet with Kurt Elling: Upward Spiral review – master saxophonist meets great jazz vocalist

Publication: The Guardian
Author: John Fordham
Date: August 4, 2016

Branford Marsalis has mastered most tricks of the sax-player’s trade – traditional song-playing lyricism, an advanced post-Coltrane technique (lately coupled with a classical one), and long experience of playing with singers, notably Sting in the 90s. All that colours this memorable meeting between Marsalis’ quartet and Kurt Elling, one of the best jazz vocalists on the planet. Elling mixes his signature rhythmic hipness with (slightly stagey) jive-talk on the Porgy and Bess classic There’s a Boat Dat’s Leavin’ Soon for New York, lets loose his Mark Murphy-inspired scatting ingenuity on Rollins’ Doxy, and illuminates, with unselfconscious poignancy, the downbeat intensity of Sting’s Practical Arrangement. 

Read more »

Submitted by Bobby on August 5th, 2016 — 11:06am

Branford Marsalis Quartet/Special Guest Kurt Elling: Upward Spiral

Publication: JazzTimes
Author: Christopher Loudon
Date: July 25, 2016

How did one of the best and most important jazz bands around—saxophonist Branford Marsalis, pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner—come to unite with one of the best and most important jazz vocalists? The idea ignited when Marsalis and Kurt Elling met during the 2014 Monk competition. Two years on, immediately prior to a New Orleans recording session, Elling and the quartet shared a weekend engagement at Snug Harbor, finding their collective groove and testing various songs. That Elling becomes fully one with the group—this is truly a quintet album—is evident from the opening moments of “There’s a Boat Dat’s Leavin’ Soon for New York,” its feverish pace finally slowing as he adlibs 90 seconds of wolfish patter oozing with carnal desire.
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Submitted by Bobby on July 29th, 2016 — 10:58am

Music Review: Branford Marsalis Quartet with Special Guest Kurt Elling – ‘Upward Spiral’

Publication: BlogCritics.org
Author: Jack Goodstein
Date: June 3, 2016

As explained in the notes on the Branford Marsalis Quartet’s album Upward Spiral (featuring Kurt Elling), this is truly a collaborative effort. Everything about the album, from the instrumental musicians’ desire to work with a vocalist, to the choice of that vocalist—although when that choice is Kurt Elling what other choice is there—to the choice of material, is the result of “serious musical debate” creating what Marsalis calls “a true partnership.”

“I usually reject the word ‘collaboration,’” Marsalis explains, “because it implies a third thing from that which each collaborator does well. I don’t need a collaborator to do what I normally do, and Kurt doesn’t, either.” The idea for the new album was to get together to do something different. “The goal here, even though he sings lyrics, was to highlight Kurt’s voice as an instrument.” In effect, Upward Spiral was not intended to be just another vocalist fronting just another quartet.

Now while in any artistic endeavor there is often a great chasm between what was intended and what resulted, and in spite what is oft said of good intentions—the Marsalis-Elling intentions are plenty good, and the road they pave could well bridge over any chasm and end at an innovative musical heaven.
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Submitted by Bobby on June 7th, 2016 — 01:20pm