Branford Marsalis News

Branford Marsalis and Joey Calderazzo, Songs of Mirth and Melancholy

Publication: East Bay Express
Author: Rachel Swan
Date: June 29, 2011

Apparently, the Marsalis-Calderazzo collaboration came about by happenstance — sort of. Calderazzo was already the pianist for Marsalis’ working quartet, and the two decided to perform as a duo at the 2009 Newport Jazz Festival. Sax and piano make an unorthodox combination for sure, but in this case the results were stunning. Marsalisnevermind his pedigree — is such a natural that he can swing without the “trappings” of a traditional rhythm section (to borrow a phrase from San Francisco vocalist Lorin Benedict, who eschews trappings of any sort). Moreover, he’s not strictly a jazz musician. Many of the songs on this mostly original album (save for covers of Brahms’ “Die Trauernde” and Wayne Shorter’s “Face on the Barroom Floor”) sound like baroque or classical music. Read more »

Submitted by Courtney on June 29th, 2011 — 11:23am

“Now in Stores” XIII: Songs of Mirth and Melancholy

Publication: Groove Notes
Author: Kevin Kniestedt
Date: June 24, 2011

Songs of Mirth and Melancholy by Branford Marsalis and Joey Calderazzo (Marsalis Music, June 7, 2011)
In ‘Songs of Mirth and Melancholy’ Marsalis and Calderazzo seem to tap into even deeper levels of musical empathy and intuition.

It may have taken just three days to record, but this new duo recording from sax player Branford Marsalis and pianist Joey Calderazzo has 13 years of music-making behind it, dating back to when Calderazzo replaced the late, great Kenny Kirkland in the Branford Marsalis Quartet in 1998. We’ve come to expect a superabundance of imagination from both these players, but in Songs of Mirth and Melancholy Marsalis and Calderazzo seem to tap into even deeper levels of musical empathy and intuition.

Submitted by Courtney on June 29th, 2011 — 11:43am

New Releases: Branford Marsalis / Joey Calderazzo

Publication: Philadelphia Inquirer
Author: Karl Stark
Date: June 26, 2011

Songs of Mirth and Melancholy
(Marsalis Music ***1/2)

Saxophonist Branford Marsalis has done duet recordings with just his father, pianist Ellis Marsalis, and fellow New Orleans native, crooner Harry Connick Jr. Here the tenor and soprano saxophonist takes up with Joey Calderazzo, the pianist of his quartet since 1998, for a session that is surprisingly sublime.

Marsalis and Calderazzo sound classical in the best jazz sense: handsome melodies creating beauty and lots of free space for interaction. Read more »

Submitted by Courtney on June 27th, 2011 — 03:53pm

CD Choice: Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy (Marsalis Music)

Publication: Church of England Newspaper
Author: Derek Walker
Date: June 24, 2011

Metamorphosis, the latest release by Branford Marsalis’s quartet, featured tunes written by each of the players, and for me the best were penned by pianist Joey Calderazzo. They brought a breezy, timeless approach to jazz that made listening a pleasure.

This set, made only with bandleader and saxophonist Marsalis, is free of the tight constraints of the rhythm section, and so exudes a fluid ease that suits these largely lyrical pieces.

While the two were already a well-lubricated engine, a short set at the Newport Jazz Festival inspired them to spend a few days capturing this dynamic in the studio.
Read more »

‘Mirth and Melancholy’ from Branford Marsalis

Publication: IndyStar.com
Author: Jay Harvey
Date: June 20, 2011

You can’t find any more thoughtful jazz musician than Branford Marsalis. He’s also a master of tone and nuance whenever he picks up the soprano or tenor saxophone. With  Joey Calderazzo, his longtime collaborator on piano (a relationship as fruitful as Marsalis had with cut-off-in-his-prime Kenny Kirkland), he has released “Songs of Mirth and Melancholy” (Marsalis Music).
There are portions of this exploration of deep melody between the two players that stray  into a kind of highbrow easy listening. But mostly the music rewards sustained attention, in a hopefully alpha-wave mode — hard to get into, but an inevitable drag to leave.

  

Submitted by Courtney on June 23rd, 2011 — 04:23pm