Branford Marsalis News

Branford Marsalis / Joey Calderazzo: Songs of Mirth and Melancholy (2011)

Publication: All About Jazz
Date: May 30, 2011
Author: Mark F. Turner

The Swedish proverb “Shared joy is a double joy; shared sorrow is half a sorrow,” is one that perfectly exemplifies Songs of Mirth and Melancholy, from saxophonist Branford Marsalis and pianist Joey Calderazzo. Their bond has solidified over time, since Calderazzo took over the piano chair from the late Kenny Kirkland in Marsalis’ ensemble in 1998. While Kirkland’s talent can never be replaced, Calderazzo has proven his own deep abilities as a vital member of the band—and in his own recordings. Marsalis’ voice is commanding in any aspect, whether playing or speaking frankly about the music environment, and continues to resonate as a leader. Together, their rapport illuminates this recording.
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Submitted by Courtney on May 31st, 2011 — 11:31am

Marsalis, Branford and Joey Calderazzo - Songs of Mirth and Melancholy

Publication: The Phantom Tollbooth
Author: Derek Walker
Date: May 26, 2011

Timeless, breezy jazz played with remarkable purity

When the Branford Marsalis Quartet released their last album Metamorphosis, Marsalis – being a democratic kind of bandleader – gave each of his colleagues some space for their compositions. These pieces were fairly varied, but it was the work of pianist Joey Calderazzo that particularly impressed me. His relaxed, lyrical style made listening a real pleasure and some tracks were the sort you could enjoy for hours. So it was exciting to see that he and Marsalis were to work together for this intimate collaboration, free of drums and any other outside interference. Read more »

Submitted by Courtney on May 26th, 2011 — 03:13pm

Branford Marsalis and Joey Calderazzo Duo / Songs of Mirth and Melancholy - World Premiere

Branford and JoeyTickets are now on sale for the WORLD PREMIERE of Branford Maralis & Joey Calderazzo’s duo project, Songs of Mirth and Melancholy, at the 2011 TD Toronto Jazz Festival. The performance takes place at The Royal Conservatory’s Koerner Hall in Toronto, Ontario on June 29. For more information and to purchase your tickets today, please visit the jazz festival’s website! We hope to see you there.

Born of an evolving love of music and set in the deep focus of serious listening and learning, Songs of Mirth and Melancholy, is full of virtuosity and joy, touching the listener with its expressiveness, melody, emotion; those elements of music that transcend genre and period and speak to us of inspiration and beauty. Comprised primarily of original compositions from each musician, a Wayne Shorter tune paying tribute to that great man and a nod to Brahms, the duo presented here provides the listener with a glimpse into their ever deepening musical journey.

The album is being released on June 7, 2011.
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Jazz review: Branford Marsalis and Terence Blanchard at the Broad Stage

Publication: Los Angeles Times
Author: Chris Barton
Date: April 3, 2011

Split evenly between two groups, Saturday’s show featuring Branford Marsalis and Terence Blanchard felt a little like watching a prize fight. No punches were thrown and there was nothing less than harmony between the players, but a double-bill featuring two of the biggest names in contemporary jazz is undoubtably a main event, and the stylistic contrast between the two heavyweights was striking. Read more »

Submitted by Courtney on April 5th, 2011 — 03:20pm

Branford Marsalis and Terence Blanchard @ Kennedy Center

Publication: DCist
Author: Sriram Gopal
Date: March 28, 2011

Branford Marsalis and Terence Blanchard The Kennedy Center presented a double bill on Saturday evening that showed two very different approaches to modern acoustic jazz. Saxophonist Branford Marsalis and trumpeter Terence Blanchard are both titans of the genre, with strong pedigrees in the musical traditions of New Orleans. Marsalis’s quartet adopted a less structured sound that was more adventurous and challenging, while Blanchard’s quintet dug more into the swing of things and offered more accessibility during its half of the two-and-a-half hour concert. Read more »

Submitted by Courtney on March 29th, 2011 — 11:58am