Publication: Philadelphia Daily News
Author: Shaun Brady
LIKE SO MANY occasions that turn out to be momentous in hindsight, the recording of Miles Davis’ landmark “Kind of Blue” album carried no special aura, no hint of the iconic future in store. “I just figured it was another good Miles Davis record,” shrugged drummer Jimmy Cobb.
“Just one that I happened to be on.”
It hardly needs to be said that Cobb’s impression is a vast understatement. In the 50 years since its release, “Kind of Blue” has come to be regarded as a landmark, the pinnacle not only of Davis’ output but perhaps of jazz itself. It’s almost certainly the best-selling jazz album of all time, and it has a place in the record collection of many a listener who would otherwise profess to a dislike of jazz.
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