Joey Calderazzo News

Beacons of song: Marsalis/Calderazzo/Connick

Publication: Dark Forces Swing Blind Punches
Author: Hank Shteamer
Date: January 9, 2012

“If you give a soloist an open solo for thirty seconds, he plays like he’s coming from the piece that you wrote. Then he says, ‘What the hell was that piece I was playing from?’ And the next thirty seconds is, ‘Oh, I guess I’ll play what I learned last night.’ And bang! Minute two is whoever he likes. Which is probably Coltrane.”—Bob Brookmeyer (RIP), quoted in Ben Ratliff’s The Jazz Ear

I think about this quote a lot when I’m hearing jazz live. Often it’s because I’m thinking how much Brookmeyer’s cautionary anecdote applies to the situation at hand. Last night, thankfully, this was not the case.

The show was Branford Marsalis’s “A Duo of Duos” at Jazz at Lincoln Center’s Allen Room (TONY preview here), during which he dueted first with Joey Calderazzo—his partner on 2011’s Songs of Mirth and Melancholy, over which I’ve already gushed extensively—and second with Harry Connick Jr., the latter of whom didn’t sing. So these were pure saxophone/piano duos, with Marsalis switching between tenor and soprano. Read more »

Submitted by Courtney on January 10th, 2012 — 04:58pm

Live preview: Branford Marsalis

Publication: Time Out New York
Author: Hank Shteamer
Date: December 16, 2011

Chances are your parents know who Branford Marsalis is. A trivial point? Maybe, but it’s still not something you could say about many living jazz artists aside from Branford’s trumpet-playing younger bro, Wynton. What can be frustrating is that Branford the celebrity—one fourth of a postcard-perfect Big Easy musical brood, featured commentator in Ken Burns’s Jazz opus, and former sidekick to both Sting and Jay Leno—tends to obscure Branford the artist. This concert is a good occasion to celebrate the latter, a saxophonist who released Songs of Mirth and Melancholy, one of 2011’s most captivating albums in any genre.

To peg that record—a series of duets with pianist Joey Calderazzo, who joins Marsalis for half of this performance—as jazz would sell it way short. Songs gets its mirth out of the way quickly with “One Way,” the bluesy romp that opens the disc; from there, it’s on to roughly 40 minutes of melancholy: seven extraordinarily patient, uncommonly moving examples of what you might call improvisation-driven chamber music. Sometimes mournful (Calderazzo’s “La Valse Kendall”), sometimes eerie (Wayne Shorter’s “Face on the Barroom Floor”), sometimes just plain wrenching (“Hope,” also by the pianist), the set leaves you feeling spent, amazed and anxious to proselytize the virtues of the real Branford Marsalis.

Appropriately, the second pianist appearing alongside Marsalis at tonight’s all-instrumental “A Duo of Duos” program is Harry Connick Jr., another player whose pop fame (see When Harry Met Sally) overshadows his hard-earned, wide-ranging virtuosity. Read more »

Submitted by Courtney on December 20th, 2011 — 11:09am

2011 jazz round-up

Publication: Dark Forces Swing Blind Punches
Author: Hank Shteamer
Date: December 19, 2011

To check out Hank’s full list of picks for the best jazz of 2011, visit his blog here.

1.Branford Marsalis/Joey Calderazzo Songs of Mirth and Melancholy (Marsalis Music)

As you can see from my 2011 jazz halftime report, published back in June, this one grabbed me early on. Now that the year is winding down, I’m happy to report that it didn’t let go. There’s no embeddable stream of this record, but I implore you to sample it here, especially the tracks “Endymion,” “Face on the Barroom Floor” and “La Valse Kendall.” When mentioning my interest in this album to friends, I’ve received a few raised eyebrows, which pains me. As I discuss in a Time Out NY preview of Marsalis January 9, 2012 “A Duo of Duos” gig at Jazz at Lincoln Center (during which he’ll perform with both Calderazzo and Harry Connick, Jr., the latter of whom won’t be singing), Marsalis’s celebrity still overshadows his art. It’s a trite point at this stage, but the prejudices persist: He’s the saxophone player your mom likes.

And I’m not trying to say that moms wouldn’t love Songs of Mirth and Melancholy. But what I am trying to say is that this is an extremely deep record. There’s so much grace and poetry to this session. Read more »

Submitted by Courtney on December 20th, 2011 — 11:32am

Joey Calderazzo: Improviser in Top Form

Publication: All About Jazz
Author: R.J. DeLuke
Date: December 19, 2011

Creative musicians are generally an insightful lot: people that have curious minds but also have a sense of direction—a sense of purpose, if not a search for it. They express what they see, what they experience. Pianist Joey Calderazzo is among those.

A man of extraordinary talent at the keyboard, he’s held the piano chair in Branford Marsalis’ band for some 11 years and also spent a long tenure with Michael Brecker. Both of those men have had a huge influence on Calderazzo, and he is unabashed about saying so. He carries lessons learned from those relationships. He also stays in touch with what fellow pianists are doing and with what’s happening on the music scene. He’s interested in probing music, not just playing it.

He’s currently leading his own trio, while still being a vital cog in the Marsalis organization. In fact, 2011 saw the release of a duet record with Marsalis—Songs of Mirth and Melancholy (Marsalis Music)—and the recording of a new Marsalis quartet album to be released in 2012. It has no title yet, but Calderazzo is high on it. Read more »

Submitted by Courtney on December 19th, 2011 — 11:48am

Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy - Instrumental supremos

Publication: The Citizen
Author: Bruce Dennill
Date: December 13, 2011

7/10 BRANFORD MARSALIS AND JOEY CALDERAZZO – SONGS OF MIRTH AND MELANCHOLY (UNIVERSAL)

Branford Marsalis had, for many years, the privilege of playing with piano genius Kenny Kirkland.

Collaborating with two talents of that ilk is not something many musicians will be able to boast about, but Marsalis has lucked out: new musical partner Joey Calderazzo is a keyboard wizard.

Calderazzo is a wonderful writer as well – his One Way is the sort of cheerfully complex, melodious stuff that makes the job of the jazz apologist supremely easy. He’s able to feel as well as Marsalis, matching the latter’s The Bard Lachrymose with his own La Valse Kendall. Read more »

Submitted by Courtney on December 14th, 2011 — 10:36am