Date: 10.09.2009
Publication: Chicago Tribune
Author: Howard Reich

The music of Puerto Rico has played in Miguel Zenón’s imagination since his childhood in San Juan, where he was born.

But it wasn’t until a few years ago that he began to examine his musical heritage in depth, with remarkable results (and we refer not only to the prestigious MacArthur Fellowship, or “genius grant,” he was awarded in 2008).
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Date: 10.04.2009
Publication: About.com
Author: Jacob Teichroew

Miguel Zenón’s Esta Plena is a continuation of the saxophonist’s previous work, complete with exuberant melodies and voluble phrases that float above knotty rhythmic terrain. The core group, featuring pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Henry Cole, is the same heard on Zenón’s last album, Awake, although Esta Plena is fitted around traditional Puerto Rican plena music.
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As music director of Machito and his Afro-Cubans in the 1940s, the late Cuban saxophonist and bandleader Mario Bauzá was a key figure in the development of what came to be known as Latin jazz. Yet, he often railed against the term.

“I don’t know what they’re talking about when people talk about Latin jazz,” he would say impatiently. “Nobody is playing Latin jazz. What they are playing is Afro-Cuban jazz.”

Then, point made, he would allow exceptions. Read more »